অসিত সেন জন্মশতবর্ষ: একটি অলক্ষিত এক

কলকাতা: ভারতীয় চলচ্চিত্রের আন্তর্জাতিকভাবে বিখ্যাত ত্রয়ী, রায়, ঘটক এবং সেনের পরে, তপন সিনহা, অজয় ​​কর এবং অসিত সেন ছিলেন পরিচালক যারা বাংলা চলচ্চিত্রের বিকাশে উল্লেখযোগ্য অবদান রেখেছিলেন। অসিত সেন হলিউড এবং ব্রিটিশ সিনেমা দ্বারা প্রভাবিত ছিলেন। তিনি অবশ্যই শব্দটির প্রকৃত অর্থে আর্ট-হাউস চলচ্চিত্র নির্মাতা ছিলেন না। তবুও তার পরিচালনামূলক উদ্যোগ যেমন চালচলন, আগুন, দীপ জ্বলে যায়, উত্তর ফাল্গুনী এবং জীবন তৃষ্ণা চিরসবুজ চলচ্চিত্র।

90-এর দশকের মাঝামাঝি, অসিতদা আমাকে একটি সাক্ষাত্কারের সময় বলেছিলেন, “আমি সাহিত্য-ভিত্তিক থিম বেছে নিয়েছিলাম কারণ সেলুলয়েডে সাহিত্য অনুবাদ করা আমার জন্য একটি চ্যালেঞ্জ ছিল। আমার প্রিয় সৃষ্টি চলচল এবং দীপ জুয়েলে যাই। অভিনেতাদের হাতে তুলে দিয়ে আমি আবিষ্কার করলাম পাহাড়ি সান্যালের প্রশ্নাতীত তরলতা, উত্তম কুমারের বহুমুখিতা এবং বিকাশ রায়ের দক্ষতা। অরুন্ধতী দেবীকে তার লো-প্রোফাইল শেল থেকে বের করে আনা দরকার। সুচিত্রা সেনের সঠিক সন্ধিক্ষণে নিয়ন্ত্রণ প্রয়োজন।”

অসিত সেন একটি ভাল লেখা স্ক্রিপ্ট নিয়ে সেটে গিয়েছিলেন। তিনি কর্মক্ষেত্রে উন্নতি করেছেন কিন্তু কখনোই অপ্রয়োজনীয় বাণিজ্যিক সমঝোতার জন্য যাননি। অসিত সেনের সঙ্গীত বোধ ছিল অসাধারণ। হেমন্ত মুখোপাধ্যায়ের জাঁকজমকপূর্ণ বাঁশির মাধ্যমে দীপ জুয়েলে জয়ের সম্পূর্ণ থিমটি টাইটেল সিকোয়েন্সটিকে চমৎকার করে তুলেছে। শত লেন্সের প্রভাবে সুচিত্রা সেনের কাব্যিক ক্লোজ-আপগুলি ছিল দুর্দান্ত। গানের সিকোয়েন্সের সময় অসিত ক্যামেরার পিছনে চেয়ারে বসেছিলেন।

তার সম্পাদনার বোধও ছিল চটকদার। চালচলের ক্লাইম্যাক্স যেখানে অরুন্ধুতি দেবী একজন নার্স হিসাবে আত্মবিশ্বাসের সাথে চলাফেরা করেন সেটি ছিল সত্যিকারের সিনেমাটিক এডিটিং। বিকাশ রায় উত্তর ফাল্গুনীর কোর্টের দৃশ্যে দুটি মড্যুলেশনের সাথে সংলাপ দেওয়ার সাথে সাথে অসিত প্রমাণ করেছিলেন যে তিনি অভিনেতাদের কতটা ভাল সামলাতে পারেন। প্রবীণ পরিচালক তরুণ মজুমদার বলেছেন, “অসিতদা তাঁর চলচ্চিত্র দিয়ে দর্শকদের তাদের আসনে আটকে রাখার বিরল ক্ষমতার অধিকারী ছিলেন। তিনি দর্শকদের মতামতকে সম্মান করতেন এবং গঠনমূলক সমালোচনার যত্ন নিতেন।

ভূপেন হাজারিকা অসিত সেন পরিচালিত জীবন তৃষ্ণা দিয়ে বাংলা চলচ্চিত্রে সুরকার হিসেবে আত্মপ্রকাশ করেন। হেমন্ত মুখোপাধ্যায়, অসিত সেনের প্রিয় সঙ্গীত পরিচালক ভূপেন হাজারিকার জন্য স্নেহের সাথে জায়গা তৈরি করেছিলেন। জীবন তৃষ্ণার গানগুলো স্মরণীয়। অসিত সেন ভূপেন হাজারিকাকে জীবন তৃষ্ণার সঙ্গীত স্কোরের জন্য বাঁশের বাঁশি এবং বেহালার প্রতিরূপ ব্যবহার করার জন্য অনুরোধ করেছিলেন। একটি দৃশ্যের জন্য অসিত সেন উত্তম কুমারকে জীবন তৃষ্ণায় সুচিত্রা সেনকে একটি রোমান্টিক অভিব্যক্তি জানাতে তার নীচের ঠোঁটকে হালকাভাবে কামড়াতে অনুরোধ করেছিলেন। সুচিত্রা সেন একটি কৌণিক চেহারা দিয়ে প্রতিক্রিয়া জানিয়েছিলেন এবং শটটি এক টেকেই ক্যানড হয়ে গিয়েছিল।

অসিত সেন ষাটের দশকের মাঝামাঝি মুম্বাইয়ে চলে যান। তিনি উত্তর ফাল্গুনীকে মমতার চরিত্রে পুনঃনির্মাণ করেছিলেন কিন্তু এতে মূল বাংলা সংস্করণের সোনালী ছোঁয়া ছিল না। দীপ জুয়েলে জয়ের হিন্দি রিমেক খামোশি আরও দরিদ্র ছিল। ভি.শান্তরাম, হৃষিকেশ মুখার্জি এমনকি ধর্মেন্দ্র বারবার অসিত সেনকে বাংলায় তার শিকড়ে ফিরে আসার জন্য অনুরোধ করেছিলেন। তিনি কর্ণপাত করেননি, জাগতিক হিন্দি বাণিজ্যিক সিনেমায় হারিয়ে গিয়েছিলেন এবং প্রচুর মদ্যপান করেছিলেন। মুম্বাই ফিল্ম দুনিয়া ছিল অসিত সেনের ওয়াটারলু।

তিনি 1972 সালে শুধুমাত্র অন্নদাতায় উজ্জ্বলতার ঝলক দেখিয়েছিলেন। জয়া বচ্চন মনে করেন, “অসিতদা রাতন কা সায়ো ঘানে গানটির কোলাজ আকারে আমার ক্লোজ-আপগুলির দুর্দান্ত ব্যবহার করেছিলেন। তিনি আবেগকে ভালভাবে পরিচালনা করেছেন।”

বৈরাগের শুটিংয়ের সময়, অসিত সেন সম্পূর্ণরূপে ফর্ম হারিয়ে ফেলেন এবং এটি একটি স্মরণীয় ক্যারিয়ারের জন্য পর্দা ছিল।

অসিতদা বাংলায় ফিরে আসেন কিন্তু তার মিডাস স্পর্শকে পুনরুজ্জীবিত করতে পারেননি। তাঁর মৃত্যুর পর তাঁকে গভীর শ্রদ্ধা জানাতে গিয়ে মৃণাল সেন ভেঙে পড়েন এবং বলেছিলেন, “কোনও দ্বিতীয় অসিত সেন হবে না।”

Asit Sen birth centenary: An unnoticed one

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Kolkata: After the internationally famous trio of Indian cinema, Ray, Ghatak and Sen, Tapan Sinha, Ajay Kar and Asit Sen were directors who contributed significantly to the development of Bengali Cinema. Asit Sen was influenced by Hollywood and British cinema. He surely was not an art-house filmmaker in the true sense of the term. Yet his directional ventures like Chalachal, Agun, Deep Jwele Jai, Uttar Phalguni and Jiban Trishna are evergreen films.

In the mid-’90s, Asitda told me during an interview, ”I opted for literary-based themes as translating literature on celluloid was a challenge for me. My favorite creations remain Chalchal and Deep Jwele Jai. Handing actors, I discovered the unquestionable fluidity of Pahari Sanyal, the versatility of Uttam Kumar and the skill of Bikash Roy. Arundhati Devi needed to be brought out of her low-profile shell. Suchitra Sen needed control at right junctures.”

Asit Sen went on the sets with a well-written script. He improvised at work but never went for unnecessary commercial compromises. Asit Sen’s sense of music was superb. The entire theme of Deep Jwele Jai musically presented by the majestic whistling of Hemanta Mukherjee made the title sequence sublime. Suchitra Sen’s poetic close-ups in hundred lens effects were brilliant. Asit Sen with his back to the camera sat on the chair during the song sequence.

His sense of editing was also crisp. The climax of Chalachal where Arundhuti Devi walks with confidence as a nurse was a piece of true cinematic editing. As Bikash Roy delivers dialogue with two modulations in the court scene of Uttar Phalguni, Asit Sen proved how well he could handle actors. Says veteran director Tarun Majumdar, ”Asitda possessed the rare ability to keep the audience glued to their seats with his films. He respected the viewer’s opinions and cared for constructive criticism.”

Bhupen Hazarika made his debut as a composer in Bengali films with Jiban Trishna directed by Asit Sen. Hemanta Mukherjee, Asit Sen’s beloved music director fondly made space for Bhupen Hazarika. The songs of Jiban Trishna are memorable. Asit Sen requested Bhupen Hazarika to use the bamboo flute and violin counterparts for Jiban Trishna’s music scores. For one scene Asit Sen requested Uttam Kumar to lightly bite his lower lip to convey a romantic expression to Suchitra Sen in Jiban Trishna. Suchitra Sen reacted with an angular look and the shot was canned in one take.

Asit Sen shifted to Mumbai in the mid-’60s. He remade Uttar Phalguni as Mamata but it lacked the golden touches of the original Bengali version. Khamoshi the Hindi remake of Deep Jwele Jai was even poorer. V.Shantaram, Hrishikesh Mukherjee and even Dharmendra repeatedly requested Asit Sen to return to his roots in Bengal. He did not pay heed, got lost in mundane Hindi commercial cinema and took to drinking heavily. Mumbai film world was Asit Sen’s Waterloo.

He showed flashes of brilliance only in Annadata in 1972. Remembers Jaya Bachhan, ”Asitda made superb use of my close-ups in collage form picturising the sang Raton Ka Sayo Ghane. He handled emotions well.”

During the shooting of Bairaag, Asit Sen completely lost form and it was curtains for a memorable career.

Asitda returned to Bengal but could never revive his Midas touch. Paying him a rich tribute after his death, Mrinal Sen broke down and said, ”There will never be a second Asit Sen.”

The eerie silence of Mamata Banerjee on the arrest of Shahrukh Khan’s son

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Kolkata: Bollywood superstar Shahrukh Khan is the brand ambassador of West Bengal for almost a decade now. Shahrukh Khan is also one of the owners of Kolkata Knight Riders.

Chief Minister Mamata Banerjee has publicly called Shahrukh Khan her younger brother. She even goes to drop her ‘younger brother’ at the airport.

Pictures of Bengal CM and Bollywood superstar are being shared with their ‘closeness’ being stated as a reason behind the ‘framing’ of Shahrukh Khan’s son by the agencies.

It’s almost 21 days since the Bollywood superstar’s son was arrested by the Narcotics Control Bureau (NCB). The way Aryan was arrested is itself controversial as at the site of arresting a BJP cadre and a private detective were also present; NCB has also not denied it. Also, the bail being denied to the 23-year-old lad who has no history of any offence has been questioned by many experts.

However, Mamata Banerjee, who is also known as a firebrand leader for her speeches and remained vocal in politics has maintained a silence on the issue.

shahrukh khan aryan arrest mamata banerjee NCB West Bengal
A tweet by social activist Shabnam Hashmi

Significantly, on October 3, the day, people of Bhawanipore had ensured that Mamata would continue her third term as the chief minister of Bengal, Aryan Khan was detained for participating in a rave party.

The win at 2021 assembly polls and later in Bhawanipore has made Banerjee the strongest leader ever. But neither she, nor the two other leaders of Trinamool Congress, Derek O’Brien and Mahua Moitra who tweet on national issues have tweeted so far on the arrest of Aryan Khan.

CM of Maharashtra Udhav Thackrey has openly criticized NCB for portraying Maharashtra as the hub of narcotics. Thackrey also requested Chief Justice of India NV Ramana to take suo-moto cognizance of the arrest. A Shiv Sena leader has moved a plea in Supreme Court for the protection of the fundamental rights of Aryan.

Nationalist Congress Party leader and a minister in Maharashtra government, Nawab Malik has been regularly holding press conferences to highlight the major loopholes in the NCB raid, which led to the arrest of Aryan Khan.

shahrukh khan aryan arrest mamata banerjee NCB West Bengal

For the past few days, social media has been buzzing with common people showing their love for Shahrukh Khan and expressing how injustice is being done to him, as a father.

Social organizations, All India Progressive Women Association (AIPWA), All India Student Association (AISA) and Inquilabi Naujawan Sabha (RYA) jointly issued a statement and highlighted how the court denied bail based on ‘Guilt of Association’ which is a kind of mockery of justice.

“I will not say whether Bengal CM chief minister Mamata Banerjee should comment on it or not. But what is happening with Aryan Khan is like justice delayed is justice denied,” reacted Ujjaini Halim, a social activist based out of Kolkata.

Mohammed Reyaz, assistant professor at Aliah University thinks, “It is a matter of choice for a politician whether to speak or not. But, the kind of bond Didi and SRK shares, even matter being sub-judice, she can at least stand with SRK as a sister, publicly.”

Role reversal in Tripura, watch now how BJP will defend itself from an aggressive TMC

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Kolkata: With All India Trinamool Congress (AITC) announcing the formation of Tripura Trinamool Congress state steering committee and the state youth committee recently, there is a fresh buzz in the hill state.

Regular joining-ins in the AITC or TMC to make its organizational base strong the battle for the northeastern state is truly on.

With state elections still one-and-a-half year away, the bugle of its arrival in Tripura has been sounded by the Trinamool Congress.

The flashpoint over the denial of a permit to hold a rally by TMC’s All India General Secretary Abhishek Banerjee has set the tone for a political and tactical clash between the ruling Bharatiya Janata Party (BJP) and the TMC.

TMC leaders allege that in order to avoid Abhishek Banerjee from holding his rally inAgartala, the state-imposed Section 144, which means a ban on public gatherings by anyone.

But, Tripura TMC through its recent Twitter posts has been quick in pointing out various violations against Section 144 by the ruling BJP government.

On October 6, one of the tweets by the party read: “Tripura CM Biplab Deb violates Section 144 again!”

The same day, BJP got a setback and TMC a boost when Tripura MLA Ashish Das joined Mamata’s party in Kolkata.

Ashish Das had made headlines as he had shaved his head claiming, it was an act of penance before joining TMC. Several Tripura Congress leaders have also joined TMC. Some reports also suggest that since TMC’s mammoth win Bengal Assembly Polls 2021, more than 60,000 workers from different political parties including BJP, joined the party so far.

tmc in tripura bjp mamata banerjee aitc
Ashish Das | Courtesy: Elizabeth Thapa/ Twitter

While the political pundits are diligently observing the happenings in Tripura, one question which is popping up in everyone’s mind is: Will an aggressive TMC be able to dislodge BJP in 2023?

Manas Pal, the executive editor of Tripura Times, has been reading the pulse from ‘Ground Zero’. He feels that the ruling party in Bengal will have to tread cautiously to gain acceptance in the hill state. Anti-incumbency, which the TMC leaders are trying to harp on right now cannot be a major factor for their win.

“There is an anti-incumbency drive, but that is on a superficial level. Tripura has always been seen as a place of bipolar politics. Earlier, it was the Congress and Left. It gave way to Left-BJP. TMC is now trying to find a base. Unlike in Bengal, ‘Bangla’ sentiment will not work much in Tripura, which has seen Bengali-tribal riots in the ’80s,” says Pal.

He says that the tribal population will play a big role in the formation of any government. “With 30% of the tribal population, slogans like ‘Didi Ke Chai’ will not cut much ice. In Bengal, there is 37% of the minority population, of which the majority voted for the TMC. Here in Tripura, Muslims constitute only 7% of the population,” said Pal.

He also points out that building acceptance will be a big challenge for Mamata in Tripura.

Senior journalist and an expert on the northeast, a son of the soil, Subir Bhaumik says TMC is trying to draw in former Congressmen, who joined the BJP and are unhappy with the Biplab Deb-run government.

“With the advent of the TMC, the BJP now is an on unstable ground as the Congress turncoats in the BJP now has a natural affiliation to move towards the TMC as it shares a similar ideology. If TMC can project itself as a viable option, then the BJP should feel threatened,” said Bhaumik.

The veteran BBC journalist says that there are many ex-Congressmen, who feel that though they have helped the BJP form the government, they have not been given enough powers in the party set-up. “These people would naturally want to side with the TMC. Also, after the big Trinamool win in Bengal, they have managed to secure the confidence of people not only amongst the Bengali-speaking people but in other places too. All this is the reason for the BJP to feel threatened. And precisely, that is the reason why the Tripura administration is being used by the government to scuttle any chances of TMC setting up base in Tripura,” he said.

Bhaumik concurs with Pal that the success of the BJP will depend on how they handle the tribal situation. “If the BJP manages to arrive at an understanding with the tribal people, then the TMC will find it tough to make a mark.”

The Rajbanshis, the Gorkhas and many other tribal people were also given to understand that BJP is more sympathetic to them being a non-Bengali party in Bengal. They will play that card in Tripura too,” he said. 

Newly-elected Rajya Sabha TMC MP Sushmita Dev, who is one of the key leaders in the party’s new steering committee for Tripura said, “In the past seven years of governance at the Centre and three-and-a-half-year rule in Tripura, the BJP has done little and the people of the state know this well enough. Many burning problems have not been fulfilled. Hemanta Biswa Sarma in 2018 had told the people of Tripura to give him a missed call and that one person from every household will get a job. Now the jobs have vanished and so has Biswa Sarma. The kind of response we are getting from people from all areas, rural as well as urban, we are confident that we will be able to form a strong party organization here.”

In response, Subrata Chakraborty, BJP Tripura spokesperson says BJP is not worried about the drama TMC is enacting in the state. “The leaders from Bengal are coming here with a dramatic script prepared to humiliate people of the state and how to cause disturbance here. People are not taking it well. They have thrice been defeated in Tripura. They are trying to get votes by confusing people.”

भाजपा नेता पर डायन कह कर प्रताड़ित करने का आरोप, दूसरी बार विधवा के साथ ये संगीन हरकत

गिरिडीह: भारतीय जनता पार्टी नेता सह ज़िला परिषद उपाध्यक्ष कामेश्वर पासवान के ऊपर डायन-बिसाही कह कर प्रताड़ित करने का संगीन आरोप लगा है।

भाजपा नेता कामेश्वर के साथ चार और लोग जिनमे उनकी पत्नी निर्जला देवी और भाई मुकेश पासवान शामिल हैं को भी एफ़आईआर में आरोपी बयाना गया है। पुलिस ने तीन दिनों के बाद मामले में प्राथमिकी दर्ज़ किया।

मालूम हो की, झारखंड में हर साल डायन-बिसाही के नाम पर 50 महिलाओ की जान जाती है और 17 अक्टूबर को केंद्र सरकार ने झारखंड सरकार से इस मामले में रिपोर्ट मांगी है।

वही 15 अक्टूबर को दिये अपने आवेदन में एक 42 वर्षीय महिला जो भाजपा नेता के घर के पास रहती है ने लिखा, “कामेश्वर पासवान और उनके परिवार के लोग, मेरे घर घुस आए और मुझे डायन बिसाही कह कर गाली गलोज़ करने लगे। फिर पासवान ने मुझे पकड़ा और अपने भाइयों को बोला में डायन हूँ मेरा बाल काट दो। इतने में निर्जला देवी और देव्यंती देवी ने केची से मेरा बाल काटने का प्रयास किया”।

महिला ने आगे लिखा, “परंतु मेरे द्वारा विरोध करने पर और हल्ला सुन मेरा पुत्र अमित कुमार पासवान आया और बीच बचाओ करने लगा। पर वो लोग मेरे पुत्र के साथ भी बेरहमी के साथ मार-पीट की। और मुझे घसीटे हुए घर के समीप काली मंडप पे ले गए। वहाँ जब आस-पास के लोग जमा होने लगे तो मुझे छोड़ा।”

डायन-बिसाही भाजपा नेता और डायन गिरिडीह झारखंड
प्रथिमिकी की कॉपी

पीड़ित महिला ने ईन्यूज़रूम को ये भी बताया, “मेरे साथ ये हरकत विजयादशमी के दिन किया गया था और मेरे बाल काटने के एलावा, मेरी जुबान को काटने की भी बात वो लोग बोल रहे थे। कामेश्वर के भाई ने कहा के मेरी जुबान काट कर काली मंडा में चड़ा दो तो उनके घर के लोगों की तबीयत ठीक हो जाएगी।”

विधवा महिला जिसके सास-ससुर भी अब नहीं है ये जानकारी भी दी, “दो महीने पहले भी मेरे साथ डायन-बिसाही करके मार-पीट की गयी थी, तब भी मेंने एफ़आईआर के लिए आवेदन दिया था पर पुलिस ने दर्ज़ नहीं किया। जब से मेरे पति की मौत हुई है तब से ऐसा कर रहें हैं।”

मुफ़स्सिल थाना प्रभारी विनय कुमार राम से दो बार कॉल लगाने पे जब बात नहीं हुई तो गिरिडीह पुलिस कप्तान अमित रेणु से ईन्यूज़रूम ने जब बात कर ये जानने की कोशिश की के प्राथमिकी में देर और मामले में अब तक क्या कारवाई हुई, तो उनका जवाब था, “आपको इस मामले से किया वास्ता है?” फिर जब इस संवाददाता ने कहा के रिपोर्ट लिखना मेरा काम है और मैं रिपोर्ट बना रहा हूँ तो अमित रेणु ने फोन काट दिया।

जब भाजपा नेता कामेश्वर से ईन्यूज़रूम की बात हुई तो उनका कहना था, “ये मामला हमारे एक पुश्तैनी मंडप से जुड़ा है जिसमे वो एकाधिकार चाहती है और हम लोगों को न कोई नया काम न पुजा करने देना चाहती है। मैं एक जागरूक आदमी हूँ और न मैं किसी को डायन कह सकता हूँ न अपने घर के लोगों को ये बोलने दूंगा।”

Pandemic exacerbates modern slavery in India

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Bhopal: Neha* spent nearly four months in debt bondage, the most prevalent form of slavery in India, to pay off a family loan of 15,000 rupees.

Like many women in her situation, she had no access to her family members and was forced to work to pay off a family debt by living in an isolated house on a farm.

Here she was exploited through the use of violence, deception or coercion and forced to work against her will and sleep with a male member.

She was rescued by a team of Madhya Pradesh’s Shivpuri district police. Her rescuers said she appeared living in constant fear and refused to speak.

“A girl was recovered from a house on May 25 and a panchnama [a record of witness testimony] was immediately made,” Vijay Kumar Sharma, Tehsiladar, Bairad tehsil in Shivpuri district and in-charge of the rescue operation said.

The lost expression in her eyes suggested that something was amiss, Sharma said.

Cases of debt bondage, criminal and other slave-like exploitation have risen alarmingly during pandemic times in India, one of the countries worst-hit by Covid- 19 and badly managed by the Government. The rescue of a girl from Madhya Pradesh’s Guna district has triggered demands for authorities to crack down on thousands of other suspected cases across the country. By the time the eighteen-year-old is rescued, the girl is a few months into her pregnancy.

The class eight dropout was not lured into bondage with the promise of a better life. She became bonded labour after the savings and earnings of her daily-wage earning parents were impacted due to the pandemic.

“I had no choice but to repay the debt. I accepted the demand of principal employer Inder Singh Gurjar to repay the debt by allowing one of my family members to work in his field,” Puja* *, mother of Neha told this correspondent.

The mother of six children took a loan of Rs 15,000 after her husband’s death in January this year.

Unable to repay the loan, Neha, the eldest of five daughters and a sister of the youngest seven-year-old brother became a bonded worker, India’s most common form of slavery despite being outlawed decades ago.

“Unable to repay the lender, I was handed over to a moneylender to work on the fields in an unknown place. Inside the house, I was surrounded by five women and their watchful eyes. Here, I could see sun rays entering the house from the courtyard where several charpois were kept for the five men and their elderly son. And sometimes I could hear the chirping of birds when I took a bath,” said Neha after she was rescued in September.

In the country, more than 135,000 bonded workers were identified in its 2011 census who usually work in agricultural fields, brick kilns, factories to clear loans.

According to Australia-based Walk Free’s Global Slavery Index, India has about eight million modern slaves, and bonded labour or debt bondage – working without pay to clear debts – is the most common kind of slavery in the nation of 1.3 billion.

Most of the time, all the earnings or money bonded labourers earn get spent to pay off their loans. Many are unable to repay their loans, and debt can be passed down through generations.

Nirmal Gorana, convener of the National Campaign Committee for Eradication of Bonded Labour – a network of campaigners – demanded immediate release of Rs. 20,000 as per Central Sector Scheme for Rehabilitation of Bonded Labour 2016.

“The girl should be given police protection and should be sent to her family,” Gorana said.

Narendra Bhadoriya, Bandhua Mukti Morcha’s Guna district coordinator who has seen Neha’s rescue operation and tracked the last November incident where a bonded labour was burnt alive by his employer in his district said during pandemic times more daily wagers are into debt and being forced to work for free to repay the lender.

The twenty-four-year-old son of Kallu Sehariya, resident of village Ukawad Khurd in Guna district was set ablaze after he asked for his wages. The deceased had to repay a loan of Rs 5,000.

As the pandemic has wiped out jobs and eroded the savings of daily wage workers, raising fears that more people will be forced to take loans and driven into bonded labour, rights groups are urging authorities for a detailed survey.

“Only an extensive survey could identify other debt bondage victims,” Bhadoriya added.

Back at her home with her mother, five sisters and grandfather, Neha who is three months into her pregnancy said, “I am unable to understand that it was not my fault”.

*, * * Real name of the bonded labour, her mother is changed. Similarly, the place of the interview is not mentioned at the request of the victim and her mother.

Anup Dutta is, alumni Thomson Reuters Foundation, reports on human trafficking, slavery and LGBT rights

A puja, which encourages children to read

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Kolkata: The Durga Puja organised by Jodhpur Park Saradiya Utsab Committee entered its 69th year in 2021 and this year, too, the organisers of this popular puja of South Kolkata have come up with an innovative theme.

During the planning stage, the committee members met artist Prasun Ghosh and asked him to think of a theme keeping the children in mind. A theme that will give out the message that there is a world beyond mobile screens. A theme that will introduce this generation of children to the hidden gems beyond the internet and will also evoke nostalgia in the earlier generations.

Ghosh brainstormed and conceptualised the idea of Ajab Shakhat – ‘Strange Meeting’ – where different iconic characters from Bengali and Western children’s classics and comic books meet one another for the first time in an imaginary world. They exchange notes, go on adventures and even inspire one another. Why! Here Satyajit Ray’s famous characters Feluda and Professor Shanku even put on their thinking caps and try to think of ways in which the Sandesh magazine can reclaim its old glory.

Besides Feluda and Professor Shanku, the other characters include Tintin and Captain Haddock, Rani Padmini, Pagla Dashu, Tenida, Shankar, Harry Potter and Rabindranath Tagore’s ‘Bir Purush’.

The puja also pays an ode to the children’s classics in Bengali Literature – Mahabharat, Rajkahini, Thakumar Jhuli, Chotoder Samagra Natok, Patalghar among others and immortal authors like Rabindranath Tagore Abanindranath Tagore, Dakshinaranjan Mitra Majumder, Bibhutibhushan Bandyopadhyay, Upendra Kishore Ray Chowdhury, Sukumar Ray, Lila Majumdar, Satyajit Ray, Shirshendu Mukhopadhyay and so on.

It also offers its homage to the children’s magazines that once used to open up magical worlds for them. Sandesh, Kishore Bharati, Nabakallol, Chandmama, Shuktara et al were an integral part of children’s lives. Unfortunately, many of these magazines are no longer in publication. The special editions of these magazines during Durga Puja used to be prized possessions once-upon-a-time.

Thus, these magazines have been showcased inside the pandal which represents a book. The place where goddess Durga is being worshipped has been designed like the cover page of Anadamela’s puja edition and giving a contemporary twist the Mother Goddess is seen slaying the Corona virus ashura and the gate also showcases the vaccine.

The visitors are enthralled by this pujo and their verdict is that it does not only take the earlier generations back to their childhood days but also imparts an important message to today’s generation – that books are our crowning glory.

माओवादियों से कम, मधुमक्खियों से अधिक डर रहें यहाँ के लोग

गिरिडीह: जिले में मधुमक्खियों के डंक से पिछले एक माह में चार बच्चे समेत आठ लोगों की मौत हो गयी है एवं 30 लोगों को घायल हुए हैं। मृतकों में महिलाएँ भी शामिल हैं।

ताजा मामला तीन अक्टूबर की शाम सदर प्रखंड के करमाटाड़ गांव की है। दंपति शनिचर महतो और उनकी पत्नी भिखनी देवी अपनी बकरियों को चराने जंगल गये थे। इसी दौरान मधुमक्खियों ने दंपति पर हमला कर दिया। असहनीय पीड़ा से दंपति की मौत हो गयी।

एक दिन पहले, दो अक्टूबर को तिसरी में मधु कुमारी (10) की जान मधुमक्खियों ने डंक मार कर ले ली।

गांवा थाना क्षेत्र में ही तीन बच्चियों को मधुमक्खियों ने डंक मारकर घायल कर दिया था।

गावां में ही दो सगे भाई गोतम कुमार (12) और उतम कुमार (14) की मौत मधुमक्खियों के काटने से हो गयी थी।

गिरिडीह में भाकपा माओवाद का हिसंक इतिहास रहा है। अभी भी यहां माओवाद है। हालांकि, अभी यहां के गांवों में लोगों को माओवादियों से कम, मधुमक्खियों से अधिक डर लग रहा है। इसका वाजिब कारण भी है।

माओवादी मारते हैं तो सरकारी मुआवजा का प्रावधान है। हाथी मारेगा अथवा सांप के डसने से मौत होगी तो भी मुआवजा की व्यवस्था है। लेकिन मधुमक्खियों के कारण जान जाने पर फिलहाल झारखंड में सरकारी मुआवजा नहीं मिलता।

बिहार की सीमा से सटे तिसरी, गावां, करमाटाड़ के लोग मधुमक्खियों के कहर से परेशान हैं। मधुमक्खियों का शहद जितना मीठा होता है, डंक उतना ही जहरीला होता है।

“और अब तक जिन लोगों की भी मौत हुई है उनमें किसी की भी मौत शहद निकालने के क्रम में नहीं हुई है। अचानक मधुमक्खियों के दल के हमले से लोगों की मौत हुई हैं,” एक ग्रामीण ने बताया।

अब तो आलम यह है कि जिले के गावां और तिसरी इलाके के ग्रामीण इन दिनों जंगल जाने से परहेज कर रहे हैं।

इस संबंध में गिरिडीह के डीएफओ प्रवेश अग्रवाल ने कहा कि गिरिडीह क्नक्षेत्र में ग्रामीणों को मधुमक्खियों के डंक मारने से मौत की सूचना मिल रही है। इस प्रकार के मामले नये हैं। इसको लेकर राज्य सरकार को रिपोर्ट तैयार कर भेजी जा रही है। इस संदर्भ में सरकार के द्वारा गाइड लाइन मिलने के बाद दिशा निदेशों का पालन किया जायेगा।

Man convicted under POCSO makes Durga Idol for Correctional Home

Kolkata: West Bengal is known for hosting out-of-the-world Puja Pandal themes, but there are some sensitive pandal stories too. One puja pandal is the one organised at Balurghat Central Correctional Home. The Durga idol has been made here by the inmates themselves. And this year a person convicted under the POCSO (Protection of Children from Sexual Offences) Act has made it.

The single-structure idol has been made by potter Raju Sarkar, once imprisoned in the same home along with others. However, he prefers not to remember his uneventful past, for which he had to spend with five other prisoners there. His idols are now being worshiped at Balurghat correctional home for the past four years.

At present, however, Sarkar, 32, has been out on parole for the last five years.

As Durga Puja is one of the biggest festivals for Bengalis, the prison home authorities started the practice of celebrating Durga Puja a few years ago, which they felt will be a welcome diversion from the sombre mental condition of the prisoners. The inmates missed the celebrations during the Puja days.

Earlier, the Puja used to be performed in a smaller way, but since 2016, the Puja celebration inside the correctional home got bigger with bigger idols of the goddess being worship inside the premise.

Raju Sarkar, a resident of Sherpur in Buniadpur of South Dinajpur district, was brought to the correctional home in 2016. He then started making idols of Goddess Durga inside the penitentiary, praying for relief from the misfortune of his life. Sarkar is paid a minimum honorarium for his work, said the jail officials.

In the words of the artist, he got bail only after that. Not only that, he was later acquitted of all the charges levelled against him. Now, however, Sarkar is called by the Balurghat Central Correctional Home authorities every year to make the idol on the eve of Sharadotsav.

However, not inside the penitentiary at present, this year Sarkar has already started work on the single-structure idol at his home.

The idol will be of shoal pith, with a sabekiana (traditional type) imprint. Such an initiative by the authorities to make the prisoners happy within the four walls of the penitentiary has garnered much praise from the common people as well.

At present, the number of residential prisoners at Balurghat correctional home is 702, of which 101 are women and 6 are children. The authorities of the correctional home have made special arrangements keeping in mind the resident prisoners of the correctional facility during this year’s Durga Puja.

It is learned that the correctional facility authorities have already commissioned a contractor to provide new saris for the female prisoners of the home and new clothes for the children of the female prisoners. Work on the making of the pandal for the Puja has also started within the prison walls.

Besides, preparations have already started to decorate the buildings of the penitentiary with lights on the occasion of Durga Puja.

On Navami and Vijaya Dashami day, cultural programmes are lined up. A special menu for the resident prisoners will be laid out during Puja days, said a home official. The costs for the Puja are borne by the inmates.

Explaining how the inmates organize the funds, the officer said, “These inmates are served mutton once a week. They do not eat it and save it for the Puja. The money saved on meat is substantial, which they spend during the Puja. They only keep the accounts with them. We only assist them.”

The home official said, “He did not commit the crime as such. It is a case of being falsely implicated. He is not somebody who would commit such a heinous crime.”

Talking of the mental makeup of the inmates, he said, “These men and women also feel very strongly about Durga Puja. Hindu and Muslims celebrate and work with equal fervor to make the festivities successful. Muslim inmates can be seen decorating and helping out their Hindu mates and also members of the Puja committee. There is no communal divide.”

Nabin Kujur, superintendent of the home said a total budget of around Rs 4.5 lakh has been set up for the current year. He said the prisoners used to feel left out during the Puja days. “To lighten the mood and create a positive atmosphere, we also started a recreational programme too,” Kujur said.

Ujjal Biswas, minister, department of correctional administration, says the effort of the government is to bring a change in the life of lifers. “The Balurghat event is not an isolated instance. I have been to one home, where lifers made a pandal out of patkathi (jute wood). At another home, I saw the inmates making an idol out of all the daily-use items. They have their creativity and they are trying to transform their lives,” he told to eNewsroom.

The minister says the government inspires them so that “an idle brain does not become a devil’s workshop”.

“For the lifers, this is a very good way to find happiness. Many of the inmates are in their homes on parole and they also spend their time constructively, they know they will come out soon. But for lifers it is tough. If they do good work then they will get remission. This always plays at the back of their minds,” said minister Biswas.

Entrepreneur Chaitali Das, whose internationally known Rakshak Foundation works closely with inmates, feels strongly for the socially-deprived lot. “The inmates are very meticulous about any work given to them as they want to get acceptance from the society through their work. It is very unfortunate that even after being out of prison they are not accepted by their own family, let alone society. It is very important that we make them feel inclusive or else they will again go back to crime. Through their economic independence, they feel empowered,” informed Das.

The charges of UAPA, Sedition and other laws are arbitrary against Kappan— Press Club of India

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Delhi: For the first time, a major protest took place at the national capital against the imprisonment of journalist Siddique Kappan. Siddiqui Kappan, who had not even done a story, but arrested and imprisoned a year ago in Uttar Pradesh, when he was on his way to cover the Hathras gang rape case.

On October 5, 2021, to protest against one year of imprisonment of journalist Siddique Kappan, the Kerala Union of Working Journalists, the Press Club of India and the Delhi Union of Journalists held a rally.

Demanding his immediate release journalists of the three organisations gathered outside the Press Club of India in Delhi, holding posters and shouting slogans for press freedom.

Press Club of India President Umakant Lakhera said Kappan had been picked up by the police even before he could reach Hathras to report on the rape and death of a Dalit girl. He said the charges of UAPA, Sedition and other laws were arbitrary against Kappan, the police had no evidence and had been unable to file a chargesheet within the mandatory 90 days. Despite this, Kappan had been refused bail. He contracted Covid in jail and his mother died during this period but it is a shame that he is still behind bars, he said, calling for Kappan’s release.

journalists journalist siddiqui kappan press freedom uapa
The protest against imprisonment of journalist Siddiqui Kappan in Delhi

Sujata Madhok, General Secretary of the Delhi Union of Journalists, said that the terrible case of Kappan illustrated the targeting of journalists. She said cases are deliberately filed in distant towns and police come from other states to arrest Delhi journalists, as happened to Vinod Dua. Cases are filed even for tweets and retweets, as happened to Rajdeep Sardesai, Mrinal Pande and others. She said a case was filed against Supriya Sharma of Scroll merely for filing a story about hunger in a village near Varanasi; Neha Dixit has multiple cases against her for a child trafficking story; Rana Ayyub faces cases for distributing rations during the Covid lockdown. She said laws like UAPA, Sedition, and NSA are being misused to victimise both journalists and activists and to throttle democracy and free speech.

Jigeesh A. M. of the DUJ said Kappan is severely diabetic, has twice had Covid during his incarceration and his present health status is not known. He said protesting farmers and workers had also expressed solidarity with journalists in the fight for justice for Kappan. UNI Front leader Mahesh Rajput also addressed the gathering. He requested support for the ongoing relay hunger strike of UNI employees against non-payment of wages and retrenchments.

Binu Basil of KUWJ called for the immediate release of Kappan and the withdrawal of false cases against him. Former secretaries of KUWJ PK Manikandan and D Dhanasumod, senior journalist and Press Club of India Executive committee member Basant P were also present during the protest meeting.

The rally ended with the chanting of slogans for press freedom and democracy.