For decades, Hindi cinema celebrated heroes who challenged injustice, questioned authority and stood beside the powerless. Today, many of its biggest blockbusters increasingly glorify state power, ideological nationalism and performative cruelty. Through Ajay Devgn's journey from The Legend of Bhagat Singh to Chauhan, this essay examines what that transformation says about Bollywood—and about us.
Dhurandhar: The Revenge is more than an action thriller. This review examines how the film uses symbolism, spectacle and revenge to shape ideas of nationalism, Muslim identity and patriotism, raising important questions about propaganda, democracy and the politics of fear
Long after The Voice of Hind Rajab ends, what lingers is not the imagery. It is the sound of human voices—and the failure they expose. A six-year-old pleading for help. Operators struggling to keep her calm. Paramedics waiting for clearance. A rescue that never arrived. Together, these voices reveal what statistics cannot. War wounds not only bodies but the systems meant to respond
“Charulata is my most technically perfect film. Sadgati is my truly fundamental film.” Satyajit Ray.
Ten of Satyajit Ray’s films will be screened at the...
Ali Akbar Khan was recording the bhajan, Ghanshyam Ki Aakhen for Aandhiyan (1952) rendered by Laxmi Shankar. Writer, and director, Chetan Anand asked his Alubhai (the sarod maestro...
Kolkata: “Bengali classic films need urgent restoration. They form a formidable part of Indian cinematic culture,“ Jaya Bachhan had stated at Kolkata International Film...