Honey Trehan's Satluj is more than a biographical drama about human rights activist Jaswant Singh Khalra. It is a meditation on memory, justice and the uneasy relationship between truth...
For decades, Hindi cinema celebrated heroes who challenged injustice, questioned authority and stood beside the powerless. Today, many of its biggest blockbusters increasingly glorify state power, ideological nationalism and performative cruelty. Through Ajay Devgn's journey from The Legend of Bhagat Singh to Chauhan, this essay examines what that transformation says about Bollywood—and about us.
Dhurandhar: The Revenge is more than an action thriller. This review examines how the film uses symbolism, spectacle and revenge to shape ideas of nationalism, Muslim identity and patriotism, raising important questions about propaganda, democracy and the politics of fear
Long after The Voice of Hind Rajab ends, what lingers is not the imagery. It is the sound of human voices—and the failure they expose. A six-year-old pleading for help. Operators struggling to keep her calm. Paramedics waiting for clearance. A rescue that never arrived. Together, these voices reveal what statistics cannot. War wounds not only bodies but the systems meant to respond
What is it that makes the Mohammed Rafi magic endure amongst listeners cutting across barriers of age, caste, creed, colour, gender and national boundaries...
Before recording Hoke Majboor Mujhe song, Bhupinder Singh was nervous. How could a brand new singer like him match three stalwarts, Mohammed Rafi, Manna Dey...
The Uttam Kumar and Aparna Sen Pair lit the silver screen with their grounded romanticism and uninhibited performances. Though senior in age to Aparna,...
“Trends of acting in Indian cinema have improved from theatricals to mature, real life performances. If the audience cannot identify with a piece of...