CinemaScope

From The Legend of Bhagat Singh to Chauhan: How Hindi Cinema Lost Its Moral Compass

For decades, Hindi cinema celebrated heroes who challenged injustice, questioned authority and stood beside the powerless. Today, many of its biggest blockbusters increasingly glorify state power, ideological nationalism and performative cruelty. Through Ajay Devgn's journey from The Legend of Bhagat Singh to Chauhan, this essay examines what that transformation says about Bollywood—and about us.

From Screen to Scroll: How Dhurandhar Manufactures Fear for the Algorithm

Dhurandhar: The Revenge is more than an action thriller. This review examines how the film uses symbolism, spectacle and revenge to shape ideas of nationalism, Muslim identity and patriotism, raising important questions about propaganda, democracy and the politics of fear

Her Cries, the World’s Silence: ‘The Voice of Hind Rajab’ Exposes a Rescue That Never Arrived

Long after The Voice of Hind Rajab ends, what lingers is not the imagery. It is the sound of human voices—and the failure they expose. A six-year-old pleading for help. Operators struggling to keep her calm. Paramedics waiting for clearance. A rescue that never arrived. Together, these voices reveal what statistics cannot. War wounds not only bodies but the systems meant to respond

The Taj Story: Why Myth-Led Cinema Is Harming Public Understanding of History

When a film chooses to revisit a contested piece of history, it steps into a fragile intellectual space...

Dharmendra Remembered: How Bollywood’s Most Human Superstar Became India’s Favourite Hero

Film star Dharmendra lived a full and complete life. He was unapologetically himself—a man with a golden heart...
spot_img

Come January 2022 and film festivals will again charm you after the corona pandemic dreaded days

Kolkata: In January 1994, as IFFI being held in Kolkata, festival Director, Malati Sahay personally called and invited Chetan Anand to be a delegate....

Birth centenary of Chidananda Das Gupta, the most loved film critic

Kolkata: In 1948, Chidananda Das Gupta along with Satyajit Ray and Kamal Kumar Majumdar wrote to debutant director, Chetan Anand to visit Kolkata and...

Why Indian Cinema Misses Oscars

Kolkata: The latest entry for Best Foreign Language Film for Oscars from India is Koozhangal directed by PS Vinophraj. The jury chaired by eminent...

Asit Sen birth centenary: An unnoticed one

Kolkata: After the internationally famous trio of Indian cinema, Ray, Ghatak and Sen, Tapan Sinha, Ajay Kar and Asit Sen were directors who contributed...

When Rajesh Khanna could not dare to give third take before Hrishikesh Mukherjee

Kolkata: Hrishikesh Mukherjee was shooting the climax of Namak Haram. After two takes Rajesh Khanna requested the director for a third one. To this...

Remembering Satyajit Ray on his birth centenary

A war of letters in Kolkata’s leading daily The Statesman was published in 1965. Satyajit Ray criticized Mrinal Sen’s movie Akash Kusum as a...
spot_img