For decades, Hindi cinema celebrated heroes who challenged injustice, questioned authority and stood beside the powerless. Today, many of its biggest blockbusters increasingly glorify state power, ideological nationalism and performative cruelty. Through Ajay Devgn's journey from The Legend of Bhagat Singh to Chauhan, this essay examines what that transformation says about Bollywood—and about us.
Dhurandhar: The Revenge is more than an action thriller. This review examines how the film uses symbolism, spectacle and revenge to shape ideas of nationalism, Muslim identity and patriotism, raising important questions about propaganda, democracy and the politics of fear
Long after The Voice of Hind Rajab ends, what lingers is not the imagery. It is the sound of human voices—and the failure they expose. A six-year-old pleading for help. Operators struggling to keep her calm. Paramedics waiting for clearance. A rescue that never arrived. Together, these voices reveal what statistics cannot. War wounds not only bodies but the systems meant to respond
Kolkata: In January 1994, as IFFI being held in Kolkata, festival Director, Malati Sahay personally called and invited Chetan Anand to be a delegate....
Kolkata: In 1948, Chidananda Das Gupta along with Satyajit Ray and Kamal Kumar Majumdar wrote to debutant director, Chetan Anand to visit Kolkata and...
Kolkata: After the internationally famous trio of Indian cinema, Ray, Ghatak and Sen, Tapan Sinha, Ajay Kar and Asit Sen were directors who contributed...