A Dance show to Invocate The Artist Within

Must read

Kolkata: A strong sense of aesthetic appeal, grit and hard work intertwined together gave Shaswati Garai Ghosh the ideal canvas to exhibit her dance forms like a fluid art work through Sampriti, 2019, an annual dance event of an Odissi Dance Institute.

The choreography, concept and visually vibrant dance moves neatly weaved together left the audience mesmerized at the Indian Council for Cultural Relation’s (ICCR) Auditorium, on the eve of October 31.

Shaswati, a brilliant dancer and an equally talented choreographer brought together dancers of various age groups, from the very young to experienced members of the Odissi Repertoire and curated an evening of spellbinding colours, jovial moves and rustic textures.

The programme started with Arpan (homage to the almighty), which was followed by a dreamy sequence of Sthayi (a technical Odissi piece), Natati, Sthiti (a beautiful juxtaposition of yoga and dance movements) and Shankaravarnama Pallavi.

This was followed by a beautiful rendition of Rabindra Nath Tagore’s Aye Tobe Sohochori in classical tunes named Dha Dhina, portraying a reflection of the playful child to the cheerful adult.

odissi art artist Indian classical dance
Odissi dancers during Sampriti 2019 performance

Juda Bandhinu mirrored the eternal feminine character dressing up in embellishments, shying away and adorning the maiden within, all at the same time.

In her own composition, Vriddhi, Shaswati made a beautiful endeavour to portray the growth of an artist, with one Raga depicting one particular phase of the artist’s journey. The sublime piece showed the growing up of the playful, dancing kid to the delightful belle, lost and cultivated in her own moves.

Shaswati’s solo piece at the very end, on the Raag Kalashree was a quest within, as the dancer journeys within herself to find out the daring maneuvers in her heart. Depicting chaos and serenity at the same time, the piece ended with something more magnificent- call to the artist within.

A metaphor for the whole journey of life, Vriddhi culminated in the concoction of hope, faith and power. The fluidity of movements alongside the deeply philosophical overtones gave the piece a splendid touch and a lively enamour.

Shaswati’s solo was beautifully rendered and truly galvanizing. The event winded up with a sensational spiritual note, promising yet more such performances.


- Advertisement -

Editor's choice


Please enter your comment!
Please enter your name here

- Advertisement -

Latest News

As Bengal election nears, BJP to organize Durga Puja in Kolkata

Kolkata: Bhartiya Janata Party (BJP) is eyeing to cash on the biggest festival of West Bengal, Durga Puja. Bengal BJP has decided to organise a...

Durga to be worshipped as a migrant worker in many pujas in Bengal

Kolkata: In West Bengal, it’s been a tradition for puja pandals in and around Kolkata to always resonate the present social issues through their...

Secret of NEET Perfect Scorer: 14 hours study, motivation from mother and proper use of lockdown period

Kolkata/Kota: It has been quite hectic for 18-year-old Shoyeb Aftab ever since the result for National Eligibility Cum Entrance Test (NEET) 2020 was declared....

Ruling and opposition party leaders, civil societies echo ‘Stand for Stan Swamy’

Kolkata/Ranchi: Saturday witnessed several protests against the arresting of 83-year-old activist Stan Swamy in connection with the Bhima-Koregaon case both in Ranchi and Kolkata....

Madhya Pradesh Assembly by-elections and disquiet within the ruling BJP

The 28 Assembly by-elections in Madhya Pradesh are becoming more problematic for the ruling BJP than for Congress. Of the BJP candidates, 22 are...