Better late than never: Bringing back Odia migrant workers

Odisha government’s proactive steps in the ongoing nationwide lockdown for the containment of the outbreak of contagious virus Covid-19 has been applauded nationally, like the handling of cyclone Fani last year. The state successfully implemented its own action plan along with central government’s ‘complete lockdown’ guidelines, and has been working proactively round the clock to flatten the Covid curve. Odisha is the first State in the country planning to bring back stranded migrant workers with a proactive scientific road map. Now, the question is from where the migrants from Odisha migrate. Also, the state government needs geographic location specific information about migrants from where migrants could be smoothly brought back into the state.

Traditionally, the state Odisha is a net loser of migrants. According to the census of India 2011, the state Odisha sent 12 lakhs migrants to other state while received 8 lakh in-migrants from other states. Out of total inter-state out-migrants more than 8.7 lakh migrated for ‘other than marriage’ purposes. The analyses of destination states for the Odia migrants, found industrially well developed states like Gujarat, Maharashtra, Karnataka, West Bengal and Andhra Pradesh as the lucrative destinations. For Odisha migrants, Gujarat is the largest attractive destination (1.67 lakh) and more than half of these migrants have moved for work. Gujarat is followed by Andhra Pradesh (1.28 lakh), Chhattisgarh (1.15 lakh), Maharashtra (0.99 lakh), West Bengal (0.87 lakhs) and Karnataka (0.59 lakh) as leading destinations where more than two-thirds out-migrants from Odisha went for other than marriage related reason. It is remarkable to note that as much as three-fourth of the migrants from the state ends up in only six states. Within these destination states there are some select districts that pull most of the migrants from Odisha.

Districts with 10,000 or more migrants from Odisha are shown in table 1. Around 59 percent migrants from Odisha end up in 18 districts – 5 in Chhattisgarh, 3 in Maharashtra, 3 in Andhra Pradesh, 2 in West Bengal; and 1 each in Gujarat and Karnataka. In Gujarat, Surat, the industrial hub, is the most favourable destination district for the migrants from Odisha, and this accounts for more than 86 percent (1.45 lakhs) of the total migrants. In Maharashtra — Mumbai Suburban, Thane and Pune districts reported three-fourth of the total Odia migrants to the state. Raipur district, state headquarters of Chhattisgarh, reported presence of one third (40 thousand) of the state’s total immigrants from Odisha. Raipur is followed by the Durg (18000), Raigarh (11000), Bastar (10000) and Mahasamund (10000), where also a considerable number of migrants reported other than marriage as main reason for their migration. In the neighbouring state Andhra Pradesh, Visakhapatnam district reported 29,000, followed by Srikakulam and Rangareddy districts. The district Bangalore of Karnataka state reported 80 per cent (47000) of the state’s total Odia immigrants. In West Bengal, the most favourable destination districts are Kolkata and North 24 Parganas, which accommodate around one half of the total migrants from Odisha.

Top 18 destination districts for Odia migrants and number of Covid-19 cases (data by districts)

Census of India-2011 covid19india.org (5th  May, 2020)
States Districts Migrants(000) Covid-19 cases Zone
GJ Surat 145.4 706 Red Zone
MH Mumbai Suburban 31.3 9310 Red Zone
Thane 26.4 2018 Red Zone
Pune 15.9 1238 Red Zone
CHH Raipur 40.4 7 Red Zone
Durg 18.8 9 Green Zone
Raigarh 11.3 0 Green Zone
Bastar 10.4 0 Green Zone
Mahasamund 10.2 0 Green Zone
AP Visakhapatnam 29.2 37 Orange Zone
Srikakulam 22.3 5 Orange Zone
Rangareddy 17.2 36 Red Zone
Vizianagaram 12.2 0 Green Zone
KR Bangalore 47.3 153 Red Zone
WB Kolkata 21.8 659 Red Zone
North Twenty Four Parganas 16.6 178 Red Zone

Source: Census of India, 2011 Migration Tables (D3) and https://www.covid19india.org/.

It is worthwhile now to contextualize the return of migrant workers to Odisha in the wake of present crisis of Covid-19. In the first week of May, the official website covid19india.org had already reported a total of 46.6 thousand confirmed cases of Covid-19 in the country. Coincidentally, most of the hotspot states are traditionally favoured destinations for the Odia migrants. It is not so much a coincidence as well, for the major urban centres would be hotspots naturally, given that the disease has spread with incoming traffic into the country. Maharashtra is the worst affected state, followed by NCT of Delhi, Gujarat, Tamil Nadu, Karnataka and Andhra Pradesh. Within these states, few districts with large cities are highly affected, and have been identified as the hotspots of this virus. Mumbai alone has contributed around one-fifth of the total cases in India. When the districts of Pune and Thane are also included, the share goes up to more than one fourth (27%). As already noted, these districts provide shelter to more than three-fourth of Odia migrant workers. Similar is the situation in Gujarat, where Surat accounts for 16 percent of all cases in the state. With regard to Karnataka, Bengaluru district has reported around one-fourth of the total cases in the state. In West Bengal, Kolkata and North 24 Parganas, account for more than one-third of the total cases. So, it can be concluded from the above that most Odia migrants are currently are in places under the category of ‘Red zone’.

Being worst affected the number of cases is in these big cities increasing exponentially. Needless to mention, these migrant workers and their families, live in congested slums where living conditions in terms of availability of space and other basic amenities – a matter of grave concern. Any expectation of social distancing in such a situation is being too naïve. The recent experiences of chaos during food distribution among these migrants stranded in many cities/places, only lend strengthen to this viewpoint. Better late than never; Odisha government’s initiative to bring back stranded migrant workers from different locations, in consultation with the host state governments as well as the centre, in a sanitized and safe manner under proper medical supervision indicate sincere and pro-active concern. Since this virus has an incubation period of 14 days, the returning migrants will have to follow a mandatory quarantine under the supervision of village sarpanches who have recently been given powers at par with a District Collector to fight the COVID-19 pandemic. Thus, Odisha government must be lauded for its commitment to the democratic principle of ‘Government of the people, by the people, for the people’. 

 

Opinion expressed here are personal of the authors

A Rabindra Jayanti like never before!

Kolkata: There is a young boy, a student of Class IV, who lives in the apartment next to mine. My study table faces his bedroom window. It has been the norm for us to always interact through our windows, never bothering to pay that cordial visit to new neighbours. This morning, as early as 7 am in the morning when I opened my window I heard him singing Rabindranath Tagore’s ‘Ami chini go chini tomare/ogo bideshni’ with the harmonium as accompaniment. As I looked out I saw his mother sitting down next to him and listening in rapt attention. I stopped for a while, let him finish his song and cheered in my usual manner, window-to-window!

Rabindra Jayanti in times of Covid-19 is different for all of us! There are no social gatherings, only social distancing. There is no pressing need to dress up, just major missing of neighbourhood loudspeakers playing all the Tagore that have been stocked up in local clubs! There is no stage set up in the corner of the road, no Rabindra Sadan or Rabindra Tirtha to go to! The only thing to do is to log in to your dear old computer, to see you through work from home assignments! But before you rue the lack of Tagore functions, spare a thought for all the live musicians and artistes who are out of work because of social distancing rules. Just as there are job cuts and pay cuts in every field, this Rabindra Jayanti artistes and performers are staring at a bleak future with sponsors drying up, patrons shutting shop and little money trickling in from online slots on social media.

Gourab Chatterjee (Gabu) from Lakhichchara says, “The situation is very bleak. There is no work for live musicians. Also music directors for films, web series, advertisements, etc need to shoot for something before they compose a score. Everyone is working with limited finances. There are some companies who are still making homemade jingles and there is some work that has been shot before the lockdown was imposed. Plus some artistes have some material on different audio and video platforms which is generating some revenue. But it is all very little.”

So what does the immediate future have in store for artistes? “Everything is going to be online, both in terms of content and interaction. People are trying out different avenues to generate revenue. Sponsored online events shall start happening soon. This will generate revenue. I don’t see any live shows happening any time soon,” Chatterjee added.

Lockdown can’t stop art

Apart from musicians, actors and theatre artistes are also in a fix. “These are very difficult times for all of us. Every day we are getting to know about more and more deaths. Not just Covid-19 but also the Vizag gas leak! We are all quite scared about what is going to come next! This lockdown is something we have to follow, we don’t have an option. We have to follow the instructions of the government. It is not as if artistes are not going to perform on Rabindra Jayanti this year. There are a lot of programmes scheduled albeit on a different platform. The tone and flavour are different this year. I have always maintained that the social media platform is an extremely powerful medium and in these times of the lockdown it has been proved all over again. People are performing live on Facebook and that has brought in a lot of audience appreciation as well as positive feedback,” said Udvas Roy, actor and radio jockey.

Rabindra nath Tagore Jayanti West Bengal artistes
A scene from the dance drama Kalmrigaya

Roy is also actively involved both in theatre and has also worked in several web series. He goes on to add that art is something that can never be blocked, no matter what the situation. He points out, “When Iranian filmmaker Zafar Panahi was under house arrest he made an entire film on the mobile phone, while taking a tour of his city on a taxi and simultaneously shooting passing images from the taxi window. And that particular film received accolades from audiences all over the world. Art will only come to a standstill if the artiste begins to think that it is time to stop. So the lockdown will not stop art at all!”

Incidentally, ‘Drishyapat’ the theatre group he is associated with also celebrates its birth anniversary on May 8 which is Rabindra Jayanti. The group completes 31 years this year. They planned to stage three different plays to mark the occasion, but destiny had other plans. They have come up with a production called ‘Totakahini’, which released on Facebook and Youtube. The members of Drishyapat have also shot a film at home and edited it themselves. The script was written by one of their members. This is also scheduled to be released on social media soon. Even if the lockdown is lifted artistes across the nation may not immediately be able to get back to work. It will take some time to get things back to where they were. There would be no shows, no rehearsals and of course no shoots!

“For someone like me who has been associated with theatre for almost 12 years, going for rehearsals has become a routine. Tuesdays and Thursdays are reserved for rehearsals. I miss that chatter at the rehearsals. I miss my troupe and I also miss that room. It is a strange feeling that after so many years, I can’t go for a rehearsal! Apart from other days, those two days in particular have been quite difficult for me. Between 6pm-9pm I can’t really figure out what exactly should I do with myself…,” added Roy.

Miss Live Audience

Apart from the creativity, the lockdown has taken a toll on artistes economically as well. In fact money has been quite an issue, especially for actors who mostly work on a freelance basis. Freelance actors do not have a definite package or a contract. As a result they don’t have a steady source of monthly income. Since most offices are closed, quite a bit of pending payments are still due, with little hope of funds being sanctioned any time soon.

For an artiste nothing can be more important than a stage performance. But what does one do, when things are out of control? Singer Aitijhya Roy says, “Every year on Rabindra Jayanti I wake up early in the morning, dress up in a bright sari and wear flowers in my hair. Then I set out for a series of programmes that are usually scheduled for the rest of the day. In short, I’m out all day! But this time I didn’t go out and all the performances were on various Facebook pages. That was what was so unique about this year. It was heart-breaking because an artiste can never feel fulfilled unless he/she is performing in front of a live audience. We artistes thrive on audience adulation. That was something I missed terribly. But, thank god for social media! I shudder to think what would have happened if we didn’t have this much to keep ourselves occupied! But finances have also been affected badly. For a performer like me, my shows are my means of income. But now we don’t do shows anymore and there will be no shows for quite a long time even if the lockdown is lifted! So the money has stopped coming in, even though on a creative level social media has kept us alive. But in all this darkness there is something we can always fall back on. And that is Tagore and his vast chest of music and writings that he has left behind for us. His music is like a soothing balm for the tormented soul, especially in trying times like these. I always resort to Tagore’s work, no matter what situation I am in. I suggest we all do the same, it will help us cope better in such trying times.”

Gaudiya Nritya dancer Arni Bagchi, who also works as a dance teacher at Bharatiya Vidya Bhavan, agrees. A positive attitude, she emphasizes will help us sail through it all. “Even if we are at home, all artistes will celebrate Rabindra Jayanti at home in our own little ways. I did a Facebook live and also uploaded a video of a dance performance choreographed especially for Rabindra Jayanti. A lot of people I know have also planned seminars on the Zoom app, free of registration cost to pay homage to Tagore in their own ways. I’m trying to handle the situation in a positive manner. That is the best we can do at this time. At the end of the day we need to survive as a human race. Art alone will help us tide through this crisis. It doesn’t matter whether you are an artiste yourself. Every time you are low, take refuge in art. It will help your spirit stay alive,” she adds.

Dance exponent Ankita Guha who also posted a video of a performance that she orchestrated from the terrace of her home said, “Tagore is immortal, he can never be a memory. I chose to perform in the song ‘Tumi robe nirobe’ because Tagore for Bengalis is a sensitivity. It is something we cannot stay away from.  I did it for my students, to help them stay positive and lift their spirits, even if classes are shut for the time being.”

India’s first game show during lockdown to generate funds for COVID-19 relief

Kolkata: It sounds interesting – a game show with celeb couples for the benefit of Corona victims. Each episode features celebrity couples competing against each other in a series of fun, innovative games hosted by the witty Gunjan Utreja.

The show – Chalk & Cheese, is conceptualised and produced by Gunjan and season 1 will feature celebrities like Aparshakti Khurana and his wife; stand up comic Amit Tandon with his wife and singer Neeti Mohan and her husband, to name a few. The format has been conceived to lure audiences as well as advertisers to generate relief during this pandemic. In fact, celebrities have been in their own way contributing to the cause either through awareness campaigns, videos and other activities. But a game show in this regard is indeed innovative.

Gunjan’s chat show ‘Bubble Baat’ on ZEE5 has won him the award for the most innovative chat show of the year. The anchor has also hosted Radio Mirchi Awards, ZEE Cine Awards, Indian Telly Awards, ‘THE VOICE’ India.

He says about his new show, “As a content creator I have always focused on creating engaging and entertaining shows. Once the news of lockdown was announced I thought of various ways to contribute to the society and entertain the audience. That’s where the idea of ‘Chalk and Cheese with Gunjan Utreja’ originated. The biggest challenge was to create a format which hasn’t been done and under these restrictions and how to shoot it. Once I cracked the format my team was able to help me in technology to shoot the same within the guidelines under lockdown. We tied up with ‘Jus Like That’ patisserie to raise funds for COVID-19 relief”. The funds collected will be used for various purposes to help the needy during the lockdown.

Gunjan is currently hosting ‘Bollywood Superstars’ on his quirky talk show ‘Not Just Supper Stars’ on ZEE5. Now all eyes on new show ‘Chalk & Cheese… ‘

We are working on our resources so that people do not migrate from Jharkhand in search of work – Hemant Soren

Ranchi: As the migrant workers from different parts of India are returning back to Jharkhand, its Chief Minister Hemant Soren has a clear vision about these workers – he will try his best to provide work to them within the state so that they don’t have to migrate to other states in search of work in future.

Given that Jharkhand alone has over a million (10 lakh) migrant workers stranded across different Indian states, Soren strive better employment opportunities in state is need of the hour.

Jharkhand Chief Minister Hemant Soren in an interview to Mirror Now talked at length about the problems being faced by migrant workers in general across India and Jharkhand in particular.

Will not let go people work outside in future

“Since the beginning I have maintained that the most challenging work for the state will begin when the stranded labourers will return to their respective states. My target is clear – We are trying to use our internal resources to create job opportunities for these workers. We want to provide employment to the migrant workers. These people are depressed at the moment, so we will be using our resources to not just provide work but also to take them out of depression,” he said.

The chief minister further mentioned, “The state has the potential to employ them all, but the previously not much have been done about it. That is why so many people migrant outside state. However, you will be surprised to know that an important job guarantee scheme, MNREGA (Mahatama Gandhi National Rural Employment Guarantee Act) which was run for labourers has so many irregularities.”

Low MNREGA wage force labours to migrate

MNREGA workers in backward states like Jharkhand, Bihar, Orissa, Chattisgarh get the lowest wage. In developed states the labourers get more pay under the same scheme. “There are several irregularities in the employment guarantee scheme. We can’t even give the labourers Rs 200 as their daily payment. Even after the Prime Minister’s announcement, their daily wage is lesser than Rs 200.

The same labourer can earn between Rs 800- Rs 1000 daily in big cities, so one cannot stop them from getting attracted to metro cities, pointed out CM Soren.

But Kerala, Haryana has over Rs 300 marked as daily wage for labourers enrolled there. “In Himanchal Pradesh too, wages have been divided in two categories- scheduled and non-scheduled area. No such segregation has been made in Jharkhand which has a healthy Adivasi, Dalit and minority population. Central government should take note of it,” he said.

Railway minister should waive off railway fare

“I told Piyush Goyal ji (Railway Minister) that Jharkhand gives highest revenue to Railways, so we deserve concession while bringing back stranded migrant workers from other state. But it proposal of mine is yet to be accepted by the ministry. However, well off people stranded in international shores are being evacuated free of cost,” said the chief minister.

“Right now we will not talk about it, but in future, such issues will be raised and everyone will have to answer it,” Soren warned about the unfair system by centre to charge fare to stranded migrant workers.

Decision to bring back labourers came very late

“I was saying this from day one, but the decision to bring migrant workers back came very late,” Soren said on the recent order issued by the center that allows movement of migrant workers, students and patients during the lockdown.

Elaborating on the seriousness of the migrants moving back to their home states he said, “Workers are being brought back now, when many of them have got infected. It is like, people who got the dust on their body are being told to go home and dust it off there.”

“Why was this not done in the beginning of the lockdown? Had this decision been taken earlier, we would have been in safe zone,” Soren rued.

Can’t leave migrants being treated like animals

The chief minister added, “I am welcoming them back as they will get to live with their families. Otherwise, they were living like animals on the road and were being treated like animals.” He questioned, “Are they (migrant workers) not humans?”

Soren also informed that over 18000 to 20000 migrants have returned back to Jharkhand. Around 12 trains ferrying these labourers have arrived in Jharkhand so far.

He also claimed that all medical check-up regarding Covid-19 is being done for the workers. The migrants have been told to practice self quarantine for 15 to 20 days. The state will be providing food to them during this hour of crisis.

Chaos continues outside liquor shops, police lathi charge not dampening spirit of buyers

Kolkata: Since Monday, Kolkata woke up to a new type of chaos. Like several other cities, it too witnessed serpentinous queues of men defying the social distancing norm to get their hands alcohol of their choice.

The over-spilling lines of men in front of wine shops, made Kolkata police even use batons on Monday to manage many thirsty Kolkatans queuing up to buy alcohol after 40 long dry days after the government allowed standalone wine shops to open amidst the ongoing corona virus lockdown.

Huge lines and rush was seen in some alcohol shops in South Kolkata’s Hazra and Jadavpur area. With the huge crowd thronging the liquor shops, the owners pulled down the shutters to restrict further spread of the virus among the crown that was defying social distancing norm.

“We had to resort to lathi-charge as no one was maintaining the protocol. Hardly anyone wore masks or maintained social distancing. The state government  has passed the order of opening liquor shops keeping in mind the wishes of the common man but if the people don’t cooperate then it will be very difficult to curb this kind of crowd,” said a police officer posted in Hazra more.

Assistant General Secretary of Bar Association, Sushmita Mukherjee said unless the people of the state behave maturely the menace cannot be stopped. Liquor shops will be open for long hours every day therefore there is no need to create chaos that will be detrimental to both the society and individuals she explained.

“Except in containment areas, the government has passed order that the shops selling alcohol will remain open every day from 12 noon to 7 pm. People should understand the gravity of the situation and behave responsibly. Monday was the first day hopefully things will normalize in the days to come. Today shop owners were also seen cooperating with the police by keeping their shops closed to manage the unruly crowd,” said Mukherjee.

Asked about online delivery of alcohol, Mukherjee said that they have already requested the government but it will take time to put things in order.

Reading out the state government’s order, Mukherjee said that state government officials had instructed all shops owners to put revised price lists in front of their shops for the time being until they are printed on bottles.

The state government in a guideline said only standalone OFF shops selling foreign, IMFL, and country spirits will remain functional and not ‘ON’ shops.

It also stated that only those customers wearing masks will be sold liquor and social distancing norm has to be strictly followed. There should be a distance of 6 feet between two customers in the queue.

The authorities asked licensees to provide hand sanitizer to customers at the time of transaction.

Parashuram Dutta, a wine shop owner in North 24 Parganas stated that the police was forced to close several shops including his due to the pandemonium.

“Police had to come to maintain law and order in front of the shop and ultimately close several shops as there was complete chaos all over. The rush and the hullaballoo created by people were really unacceptable especially during the present situation. As per the latest order, shops will open at 12 noon from tomorrow and will remain open till 6 pm,” claimed Dutta.

Though both Bengal and the central government have encouraged the opening of standalone liquor shops, but neither government has given permits to outlets located in shopping complexes. Beer pubs, clubs, restaurant- cum-bars and hotel-restaurant-cum-bars will remain closed during the lockdown period.

Small town shows the way during the lockdown, makes online classes available for govt school students

Giridih: Whenever some major issue or work takes place, right from conducting census to hosting para-military forces, it is always the students of government schools who remain at the receiving end.

During the lockdown, which has been enforced to save people from Covid-19 virus in India, the same thing has happened to the government school students. But thanks to the efforts of a Member of Legislative Assembly (MLA), Jharkhand, the sufferings of these students are to end soon.

This MLA from Giridih constituency has initiated daily online teaching classes for Jharkhand students of Class IX to XII. During these four-hour-classes, the best teachers of Giridih will be explaining the chapters for pre-matric and post matric students. The pre-recorded lessons will be aired daily, thereby converting the living rooms into study rooms of around 50000 households with cable connections in Giridih, Pirtand and Bengabad blocks.

A month back, a similar concept had been initiated during the lockdown in New Jersey and Washington DC in United States, while in India; Punjab is the only state to have adopted this method of teaching.

Idea gets realized in four days

Giridih legislator Sudivya Kumar Sonu, is the man who conceptualized it informed that Education Minister (Jharkhand) Jaggarnath Mahto told him about Union Human Resource  Development (HRD) Minister Ramesh Pokhriyal asking state education ministers to use Tata Sky and other cable networks to teach students during the lockdown.

“I told the Education Minister that it is not feasible for us as working with big cable operators like Tata Sky is a mammoth task. Also, the reach of these networks is not in households that have government school students. So, I asked him to give me time to chalk out something,” the legislator told eNewsrooom.

He further said, “After returning from the meeting I contacted City News Editor, Abhisek Sahay, who also manages City Cables in Giridih to understand whether it is possible to start online teaching for students using fiber optics. The moment he answered in yes, I began working on other aspects of realizing this plan.”

Lessons from City’s best teachers

As, he began laying out a plan to execute online classes using fibre optics, the MLA realized that already a private school – CCL DAV had been conducting video classes for its students during the lockdown.

“I contacted B P Roy, the Principal of CCL DAV and requested him to help me in this cause. He was more than eager to support us. His team helped us in getting things into place, later a government school teacher Munna Kushwaha coordinated with me to have the entire process in place,” said Sonu.

The MLA added, “The best part of this model is that now a government school student can learn not only from government school teachers but also from private school teachers. We have requested private school teachers to use Hindi words often while teaching, as they normally teach in English.”

Giridih becomes the first district

Sonu also claimed that within four days (Friday to Monday) the idea took full shape. Online Teaching Through Cable TV was launched on Monday in the presence of Jharkhand Education Minister, MLA Dr Sarfaraz Ahmed, Deputy Commissioner Rahul Sinha and Giridih MLA among others.

In doing so, Giridih became the first district to implement this type of education system. Education Minister Mahto also announced that the system will now be replicated in every district of Jharkhand.

Coordinator Kushwaha informed that 60 experts, who teach from classes IX to XII have been trained to record video lessons. The list includes 40 government and 20 private school teachers from the town.

Not a one-way process

Unlike many popular shows and classes, this online teaching will not only have lessons from teachers, but will give students a chance to ask questions and put across their doubts before the teachers.

“A WhatsApp number will be provided to the students, to which they can send in their doubts. The respective teachers will address these issues in the next session,” said Dr Sarfaraz Ahmed.

It comes without any expense

Both MLA Sonu and City News Editor Sahay mentioned that barring few thousand rupees, which has been born by each of them, the entire process to use teachers, and technical system had been provided by CCL DAV School, City Cable and Jharkhand’s Education Department.

The initiative also brought two rival cable operators—City Cable and DDC Cable Network as well as two local channels City News and Newsline together to telecast the sessions to all their subscribers and viewers.

Initially, for a fortnight, the sessions for classes X and XII will be aired first. This will be followed by sessions for standard IX and XI. It has been decided that the online teaching via local Cable TV will take place till July this year.

When Irrfan Khan was approached by AAP to fight 2014 Lok Sabha election

As far as Indian politics is concerned, 2014 remained a significant year. It was a time when Congress’ prospects were not looking bright and Bhartiya Janata Party (BJP) was poised to get a majority. While a new political outfit– Aam Aadmi Party was striving to emerge in the Indian political arena.

2014 Lok Sabha election was the first General Election contested by AAP, but it had decided to contest on 434 out of 543 seats, and for that they had needed a lot of candidates. AAP which had emerged from a non-political movement was looking for people who were renowned in different walks of life. The requirement in the candidate was a larger than life image to ensure better chances of winnability.

For Lok Sabha polls scheduled for April-May, they had been able to convince film actors like Javed Jaffrey and Gul Panag to contest on party tickets from Lucknow and Chandigarh. Apart from the film industry, AAP was successful in persuading activist Medha Patekar, banker Meera Sanyal and comedian Bhagwant Mann among others to contest for them.

But for Jaipur (Urban) Lok Sabha constitutency seat they were pursuing one major name in the global film industry — Irrfan Khan.

Jaipur being Irrfan’s native place, AAP strategist thought that if Irrfan agreed, they would certainly be able to win Rajasthan’s capital.

Irrfan, by 2014, had already made his mark not only as an Indian film star but globally too. By then the phenomenal actor had won National Award for Pan Singh Tomar, his commercially successful film Gunday had been released in February 2014 and Haider was scheduled to be released that October. Piku and Talvar were scheduled to release in 2015.

Internationally, Irrfan had already played important parts in a few Hollywood movies including Amazing Spider-Man and Life of Pi (both were released in 2012), while Jurassic World (2015) and Inferno (2016) were lined up.

Irrfan was contacted by a well-known doctor who was associated with AAP at that time, a senior member of AAP in Jaipur told eNewsroom.

He further recalled that when contacted Irrfan gave a straight reply. “Bhai, Mere Bas Ki Chij Nahi Politics (Politics is out of my league). And why should I ruin my good career by going into politics? Irrfan had posed the question to doctor sahib, on his proposal” revealed the AAP member.

“Irrfan had also said, if I join a political party people will start seeing my movies with a biased view,” he added.

When Irrfan turned down the offer, AAP had fielded Dr Virendra Singh, former Superintendent of Sawai Man Singh (SMS) Hospital against BJP candidate Ramcharan Bohra. Singh lost coming in third place.

 

The author was in Jaipur in 2014, and covered Lok Sabha polls extensively.

“There was a rhythm which he always saw in everything, even in cacophony and chaos”– Wife of Irrfan Khan

Mumbai: As the world is in deep shock after the demise of one of Indian cinema’s finest actors– Irrfan Khan, the family of Bollywood actor realizes it the most. Irrfan’s wife Sutapa, sons—Babil and Ayaan has issued a statement for the millions of grieving fans across the globe.

To keep the essence intact, eNewsroom is carrying the statement as it is for its readers:

How can I write this as a family statement when the whole world is taking it as a personal loss? How can I begin to feel alone when millions are grieving with us at the moment? I want to assure everyone that this is not a loss, it is a gain. It’s a gain of the things he taught us, and now we shall finally begin to truly implement it and evolve. Yet I want to try to fill in the things that people don’t already know.

It’s unbelievable for us but I would put it in Irrfan’s words, “it’s magical” whether he is there or not there, and that’s what he loved, he never loved one dimensional reality.

The only thing I have a grudge against him is; he has spoiled me for life. His strive for perfection doesn’t let me settle for ordinary in any thing. There was a rhythm which he always saw in everything, even in cacophony and chaos, so I have learnt to sing and dance to the music of that rhythm, even with my tone-deaf voice and two left feet. Funnily, our life was a masterclass in acting, so when the dramatic entry of the “uninvited guests” happened, I had by then learnt, to see a harmony in the cacophony. The doctor’s reports were like scripts which I wanted to perfect, so I never miss any detail that he sought for in his performance.

We met some amazing people in this journey and the list is endless, but there are some whom I have to mention, our oncologist Dr. Nitesh Rohtogi (Max hospital Saket) who held our hand in the beginning, Dr. Dan Krell (UK), Dr. Shidravi (UK), my heartbeat and my lantern in the dark Dr. Sevanti Limaye (Kokilaben hospital). It’s difficult to explain what a wondrous, beautiful, overwhelming, painful and exciting this journey has been. I find this 2 and 1/2 years to have been an interlude, which had it’s own beginning, middle and culmination with Irrfan helming the role of the orchestra conductor, separate from the 35 years of our companionship, ours was not a marriage, it was a union.

I see my little family, in a boat, with both my sons Babil and Ayaan, paddling it forward, with Irrfan guiding them “Wahan Nahi, Yahan Se Modo” but since life is not cinema and there are no retakes, I sincerely wish my children sail this boat safely with their father’s guidance in mind and rockabye through the storm.

I asked my children, if possible, they could sum up a lesson taught by their father that has been important to them;

Babil: ’Learn to surrender to the dance of uncertainty and trust your faith in the universe”

Ayaan: “Learn to control your mind and to not let it control you.”

Tears will flow as we will plant a raat ki rani tree, his favourite, to the place where you have put him to rest after a victorious journey. It takes time but it will bloom and the fragrance will spread and touch all the souls whom I won’t call them fans but family for years to come.

ঋষি কাপুর সবসময়ই রোমান্টিক হিরো থাকবেন

30 শে এপ্রিল সকালে ঋষি কাপুর এর আকস্মিক মৃত্যুর বিধ্বংসী সংবাদ যখন চলচ্চিত্র জগত এবং সমগ্র জাতিকে তার মূলে নাড়া দিয়েছিল তখন ইরফানের অকাল মৃত্যুর খবরে জাতি খুব কমই বুঝতে পেরেছিল। দুই মহান অভিনেতা 24 ঘন্টার মধ্যে শেষ নিঃশ্বাস ত্যাগ করলেন; তারা তখনও চলচ্চিত্রে অভিনয় করার জন্য যথেষ্ট তরুণ ছিল যা তারা ভাবতে পারে না। ইরফান এবং ঋষি কাপুরের অপ্রত্যাশিত মৃত্যু আমাদের ড্যানিয়েল ডিফো-এর অমর লাইনের কথা মনে করিয়ে দেয়: “মানুষের সেরারা তাদের ভাগ্যকে স্থগিত করতে পারে না/ভালোরা তাড়াতাড়ি মরে এবং খারাপরা দেরিতে মরে।” ঋষির ভক্তদের এখনও বিশ্বাস করা কঠিন যে তাদের সাবলীল এবং সুদর্শন রোমান্টিক নায়ক চিন্টু এই পৃথিবী ছেড়ে চলে গেছে এবং আর কখনও ফিরে আসবে না।

দ্য ক্রেজি সেভেন্টিজ

চৌদ্দ বছর বয়সে ঋষি কাপুর প্রথম যে সিনেমায় অভিনয় করেছিলেন তা ছিল মেরা নাম জোকার (1970), পিতা রাজ কাপুর প্রযোজিত ও পরিচালিত। তিনি তার প্রথম ভূমিকার জন্য সেরা শিশুশিল্পীর জন্য জাতীয় চলচ্চিত্র পুরস্কার পান। অভিনেতার প্রধান বিরতিটি কয়েক বছর পরে এসেছিল যখন তিনি রোমান্টিক মুভি ববিতে ডিম্পল কাপাডিয়ার বিপরীতে নায়কের ভূমিকায় অভিনয় করেছিলেন, যা তরুণদের পাগল করে দিয়েছিল। ঋষি ও ডিম্পল দুজনেই রাতারাতি তারকা হয়ে যান।

যাইহোক, ঋষি কাপুর যখন নীতু সিংয়ের সাথে কাজ শুরু করেন, যিনি পরবর্তীতে তার স্ত্রী হয়েছিলেন, তখন তার সিনেমাগুলি আরও জনপ্রিয় হয়ে ওঠে এবং বক্স অফিসে আগুন লাগিয়ে দেয়। খেলা খেল মে, রফু চক্কর, কাভি কাভি, অমর আকবর অ্যান্টনি, ঝুটা কাহিন কা, দুসারা আদমি এবং ধন দৌলতের মতো সিনেমা ঋষি এবং নীতুর মধ্যে একটি নতুন রোমান্টিক দম্পতির উত্থান দেখেছিল। এই সিনেমাগুলিতে দম্পতির উপর চিত্রিত প্রায় সমস্ত গান তাত্ক্ষণিক হিট ছিল এবং আজও অত্যন্ত নম্র।

তারা উভয়ের বিয়ে হয়ে যাওয়ার পরে এবং নীতু চলচ্চিত্রের জগতে বিদায় জানানোর পরে, ঋষি কাপুর রোমান্টিক নায়ক হিসাবে জনপ্রিয় হয়ে ওঠেন, একের পর এক হিট উপহার দিয়েছিলেন। 1980 সালের ব্লকবাস্টার, কার্জ, সুভাষ ঘাই পরিচালিত এবং ইয়ে ভাদা রাহা (1982) ঋষির ক্যারিয়ারে আরেকটি বড় পরিবর্তন চিহ্নিত করে। রোমান্টিক ভূমিকা করার মধ্যে, ঋষি কুলি এবং হাওয়ালাতের মতো সিনেমাগুলিতে কমেডির জন্য একটি স্বাভাবিক ফ্লেয়ারও প্রদর্শন করেছিলেন যাতে শত্রুঘ্ন এবং মিঠুন তার সহ-অভিনেতা ছিলেন। যাইহোক, রাফু চক্কর ঋষি কাপুরের সর্বকালের সেরা কমেডি মুভি।

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চাঁদনী সিনেমায় ঋষি কাপুর ও শ্রীদেবী

যখন চাঁদনী তার ক্যারিয়ারকে পুনরুজ্জীবিত করেছিল

এমনকি ঋষি কাপুর নিয়মিত বিরতিতে রোমান্টিক ভূমিকা পালন করলেও, সত্তর এবং আশির দশকের শুরুতে তার সিনেমাগুলি যে সতেজতা এবং অভিনবত্ব প্রকাশ করেছিল তা বন্ধ হয়ে গেছে। দেখে মনে হচ্ছিল যেন তার ক্যারিয়ার স্কিডস হিট করতে চলেছে। কিন্তু একজন ডুবন্ত মানুষ সবসময় খড়ের কাছে আঁকড়ে ধরে থাকবে। ঋষি কাপুর 1989 সালে যশ চোপড়ার সাথে চাঁদনীর জন্য শ্রী দেবী এবং বিনোদ খান্নার সাথে জুটি বেঁধেছিলেন। রোমান্টিক ব্লকবাস্টার ঋষির ক্ষয়িষ্ণু কেরিয়ারকে সাহায্য করেছিল। ঋষি এবং শ্রী দেবী বলিউডের নতুন রোমান্টিক জুটি হয়ে ওঠেন যা জাতিকে মুগ্ধ করেছিল।

90 এর দশকে একটি নতুন অবতারে

1993 সালের হিট সিনেমা, দামিনী, যেটি ছিল মহিলা-কেন্দ্রিক, ঋষি কাপুরকে তার দক্ষতা প্রমাণ করার সুযোগ দিয়েছিল। গাছের আশেপাশে আর দৌড়ানি ছিল না। মুভিটি যেটি একজন সাহসী গৃহবধূকে (মীনাক্ষী শেশাদ্রি) ঘিরে আবর্তিত হয়েছে একজন ধর্ষণের শিকারের পক্ষে চুদে ঋষি কাপুরকে একজন গুরুতর এবং বিভ্রান্ত স্বামীর ভূমিকায় দেখা গেছে, যে তার স্ত্রীকে সমর্থন করবে নাকি পরিবারের সুনাম রক্ষা করবে তা নিশ্চিত নয়। তার নীতির মূল্য। সেই বিশেষ দশকে সম্ভবত এটিই একমাত্র গুরুত্বপূর্ণ চলচ্চিত্র ছিল যা তিনি করেছিলেন।

নেতিবাচক ভূমিকায় চমৎকার

ঋষি কাপুরের ওজন বেড়ে যাওয়া এবং তার প্রাইম পেরিয়ে যাওয়ায়, সিনেমা দর্শকরা এই বহুমুখী অভিনেতার কাছ থেকে ভিন্ন কিছু আশা করছিল। অভিনেতা গন্টলেট গ্রহণ করেন এবং নিজেকে এমন ভূমিকায় কাস্ট করার সিদ্ধান্ত নেন যা তীক্ষ্ণ এবং অপ্রচলিত ছিল। Kapoor & Sons (1921 সাল থেকে) (2016), ঋষি পর্ণের প্রতি অদম্য আগ্রহের সাথে দাদার চরিত্রে অভিনয় করেছেন। অগ্নিপথে (2012), অভিনেতা আন্ডারওয়ার্ল্ড প্রভু রউফ লালা হিসাবে কেবল উজ্জ্বল এবং অসামান্য ছিলেন। তিনি আশ্চর্যজনক পরিপূর্ণতা নেতিবাচক ভূমিকা পালন করেন. এটি সিনেমা দর্শকদের দ্বারা ব্যাপকভাবে প্রশংসিত হয়েছিল। মুল্ক (2018), অভিনেতা মুসলিমের বিরুদ্ধে একটি পাপ চরিত্রে অভিনয় করেছেন, যার পরিবারের বিরুদ্ধে চরমপন্থী গোষ্ঠীর সাথে সম্পর্ক থাকার অভিযোগে ভুলভাবে অভিযুক্ত করা হয়েছে। এই সিনেমাগুলির মাধ্যমে, ঋষি কাপুর নিজেকে সম্পূর্ণরূপে নতুন করে আবিষ্কার করেছিলেন এবং তার নতুন-আবিষ্কৃত সাফল্যের দীপ্তিতে আচ্ছন্ন হয়েছিলেন।

জীবনের জন্য আশ্চর্যজনক জেস্ট

একজন দুঃসাহসী আশাবাদী যে তিনি ছিলেন, ঋষি কাপুর জীবন যাপনে বিশ্বাস করতেন। জন লেনন যেমন বলতেন, “অস্বস্তি বোধ করবেন না এবং দুঃখ বোধ করবেন না/জীবন কখনও ভয়ঙ্কর খারাপ হয় না।” ইরফানের মতো ঋষিও গত দুই বছর ধরে ক্যানসারের সঙ্গে সাহসী লড়াই করছিলেন। মাঝে মাঝে শারীরিক অস্বস্তি সত্ত্বেও, তিনি কখনই তার স্যাংফ্রয়েড হারাননি এবং সর্বদা তার উপাদানে ছিলেন। তার ছেলে রণবীর তার কঠোর পরিশ্রম এবং দৃঢ়তার মাধ্যমে চলচ্চিত্র শিল্পে যে সাফল্য অর্জন করেছে তাতে তিনি সমান খুশি।

এখন তিনি চলে গেলেন, তিনি চিরকাল আমাদের প্রিয় চিন্টু, রোমান্টিক নায়ক এবং একজন দুর্দান্ত মানুষ হয়ে থাকবেন। তার আত্মা শান্তিতে বিশ্রাম পারে।

Rishi Kapoor will always remain a romantic hero

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Barely had the nation come to terms with the news of Irrfan’s untimely death when the devastating news of Rishi Kapoor’s sudden demise, in the morning of April 30, shook the film world and the entire nation to its core. Two great actors breathed their last within 24 hours; they were still young enough to act in films than they could think of. The unexpected demise of Irrfan and Rishi Kapoor reminds us of Daniel Defoe’s immortal lines: “The best of men cannot suspend their fate/The good die early and the bad die late.” Rishi’s fans are still finding it difficult to believe that their flamboyant and handsome romantic hero Chintu has left this world and will never come back.

The Crazy Seventies

The first movie that Rishi Kapoor acted in at the age of fourteen was Mera Naam Joker (1970), produced and directed by father, Raj Kapoor. He received the National Film Award for Best Child Artist for his debut role. The actor’s major break came some years later when he played the hero opposite Dimple Kapadia in the romantic movie, Bobby, which had the youngsters going crazy. Both Rishi and Dimple became stars overnight.

However, when Rishi Kapoor started working with Neetu Singh, who became his wife later on, his movies became more popular and set the box office on fire. Movies like Khel Khel Mein, Rafoo Chakkar, Kabhi Kabhi, Amar Akbar Anthony, Jhoota Kahin Ka, Doosara Aadmi and Dhan Daulat saw the emergence of a fresh romantic couple in Rishi and Neetu. Almost all the songs picturised on the couple in these movies were instant hits and are immensely hummable even today.

After they both got married and Neetu bidding good bye to the world of films, Rishi Kapoor continued to remain popular as a romantic hero, delivering one hit after another. The 1980 blockbuster, Karz, directed by Subhash Ghai, and Yeh Vaada Raha (1982) marked another big shift in Rishi’s career. In between doing romantic roles, Rishi also displayed a natural flair for comedy in movies like Coolie and Hawalaat which had Shatrughan and Mithun as his co-stars. However, Rafoo Chakkar remains Rishi Kapoor’s best comedy movie ever.

rishi kapoor bollywood actor film cinema
Rishi Kapoor and Sridevi in Chandani movie I zeenews.india.com

When Chandni Revived his Career

Even as Rishi Kapoor kept doing romantic roles at regular intervals, the freshness and novelty his movies exuded in the Seventies and early Eighties appeared to be wearing off. It looked as if his career was about to hit the skids. But a drowning man will always clutch at a straw. Rishi Kapoor teamed up with Yash Chopra in 1989 for Chandni with Sri Devi and Vinod Khanna. The romantic blockbuster propped up Rishi’s sagging career. Rishi and Sri Devi became the new romantic pair of Bollywood which had the nation swooning.

In a New Avatar in the 90s

The 1993 hit movie, Damini, which was female-centric, gave Rishi Kapoor an opportunity to prove his mettle. There was no more running around trees. The movie which revolved around a gutsy housewife (Meenakshi Sheshadri) taking up cudgels on behalf of a rape victim, saw Rishi Kapoor playing a serious and confused husband, who is not sure whether to support his wife or protect the reputation of the family at the cost of his principles. That was perhaps the only important movie that he did in that particular decade.

Excelling in Negative Role

With Rishi Kapoor putting on weight and past his prime, the moviegoers were expecting something different from this versatile actor. The actor took up the gauntlet and decided to cast himself in roles that were edgy and unconventional. In Kapoor & Sons (Since 1921) (2016), Rishi plays a grandfather with an unabashed interest in porn. In Agneepath (2012), the actor was simply brilliant and outstanding as the sinister Rauf Lala, the underworld lord. He played the negative role to amazing perfection. It was hugely appreciated by moviegoers. In Mulk (2018), the actor plays a sinned against Muslim, whose family is wrongly accused of having links with extremist groups. With these movies, Rishi Kapoor had completely reinvented himself, and was basking in the glow of his new-found success.

Amazing Zest for Life

An audacious optimist that he was, Rishi Kapoor believed in living life to the hilt. As John Lennon would say, “Don’t sulk and feel sad/Life is never terribly bad.” Like Irrfan, Rishi had been fighting a courageous battle with cancer for the last two years. Despite occasional physical discomfort, he never lost his sangfroid and was always in his element. He was equally happy with the success his son, Ranbeer has achieved in the film industry through his hard work and determination.

Now that he is gone, he will always remain our lovable Chintu, the romantic hero and a wonderful human being. May his soul rest in peace.