CinemaScope

Diljit Dosanjh Just Gave the Performance of His Life—You May Never See It

Honey Trehan's Satluj is more than a biographical drama about human rights activist Jaswant Singh Khalra. It is a meditation on memory, justice and the uneasy relationship between truth...

From The Legend of Bhagat Singh to Chauhan: How Hindi Cinema Lost Its Moral Compass

For decades, Hindi cinema celebrated heroes who challenged injustice, questioned authority and stood beside the powerless. Today, many of its biggest blockbusters increasingly glorify state power, ideological nationalism and performative cruelty. Through Ajay Devgn's journey from The Legend of Bhagat Singh to Chauhan, this essay examines what that transformation says about Bollywood—and about us.

From Screen to Scroll: How Dhurandhar Manufactures Fear for the Algorithm

Dhurandhar: The Revenge is more than an action thriller. This review examines how the film uses symbolism, spectacle and revenge to shape ideas of nationalism, Muslim identity and patriotism, raising important questions about propaganda, democracy and the politics of fear

Her Cries And The World’s Silence: ‘The Voice of Hind Rajab’ Exposes a Rescue That Never Arrived

Long after The Voice of Hind Rajab ends, what lingers is not the imagery. It is the sound of human voices—and the failure they expose. A six-year-old pleading for help. Operators struggling to keep her calm. Paramedics waiting for clearance. A rescue that never arrived. Together, these voices reveal what statistics cannot. War wounds not only bodies but the systems meant to respond

The Taj Story: Why Myth-Led Cinema Is Harming Public Understanding of History

When a film chooses to revisit a contested piece of history, it steps into a fragile intellectual space...
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Election Season Special: New Film Pushes Divisive Agenda Through Historical Distortion

Films are a very powerful medium which creates a social understanding in various ways. Till decades ago we had films which reflected social realities and...

Research, Respect, Reality: The Missing Ingredients in Today’s Indian War Films

A recent viewing of the film Fighter made many connoisseurs wonder whether Bollywood will ever stop flirting with a serious subject like war. The...

Mithun Chakraborty as Kabuliwala: A Misfit in the Tapestry of Tagore’s Timeless Tale

Sandip Ray, eminent journalist Roshmila Bhattacharya, and I were discussing Bengali cinema at the Ray residence. I informed them that I was unhappy with...

The Common Man on Screen: How Raj Kapoor Championed the Indian Proletariat

Raj Kapoor disagreed with how director Basu Bhattacharya wanted him to react to Waheeda Rehman's lip-synching, Aa Aa Bhi Ja in Teesri Kasam. He asked cinematographer...

Bhopal Gas Web Series Stirs New Generation, But Tragedy Far From Over

I am not the ideal reviewer because I am too close to Bhopal. I have seen every documentary and most of the photos taken....

Bengal’s Cinematic Landscape: A Plea for Talent, Investment and a Commitment to Excellence

The past Durga Puja witnessed the release of a cluster of Bengali films that were mostly forgettable. "Dasham Avatar," "Raktabij," and "Bagha Jatin" turned...
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