Honey Trehan's Satluj is more than a biographical drama about human rights activist Jaswant Singh Khalra. It is a meditation on memory, justice and the uneasy relationship between truth...
For decades, Hindi cinema celebrated heroes who challenged injustice, questioned authority and stood beside the powerless. Today, many of its biggest blockbusters increasingly glorify state power, ideological nationalism and performative cruelty. Through Ajay Devgn's journey from The Legend of Bhagat Singh to Chauhan, this essay examines what that transformation says about Bollywood—and about us.
Dhurandhar: The Revenge is more than an action thriller. This review examines how the film uses symbolism, spectacle and revenge to shape ideas of nationalism, Muslim identity and patriotism, raising important questions about propaganda, democracy and the politics of fear
Long after The Voice of Hind Rajab ends, what lingers is not the imagery. It is the sound of human voices—and the failure they expose. A six-year-old pleading for help. Operators struggling to keep her calm. Paramedics waiting for clearance. A rescue that never arrived. Together, these voices reveal what statistics cannot. War wounds not only bodies but the systems meant to respond
Films are a very powerful medium which creates a social understanding in various ways. Till decades ago we had films which reflected social realities and...
Sandip Ray, eminent journalist Roshmila Bhattacharya, and I were discussing Bengali cinema at the Ray residence. I informed them that I was unhappy with...
Raj Kapoor disagreed with how director Basu Bhattacharya wanted him to react to Waheeda Rehman's lip-synching, Aa Aa Bhi Ja in Teesri Kasam. He asked cinematographer...
The past Durga Puja witnessed the release of a cluster of Bengali films that were mostly forgettable. "Dasham Avatar," "Raktabij," and "Bagha Jatin" turned...