The Bengal Files portrays Bengal’s 1946–47 communal violence through a selective, one-dimensional lens. By distorting history, amplifying fear, and reducing complex realities to binaries, it functions more as propaganda than cinema. Graphic violence and polemical dialogues fuel polarization, raising ethical concerns about manipulating memory and exploiting tragedy for political ends
Sandip Ray, eminent journalist Roshmila Bhattacharya, and I were discussing Bengali cinema at the Ray residence. I informed them that I was unhappy with...