Will the win against Zimbabwe and West Indies help Team India to retain the Asia Cup title?

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Just ahead of the crucial Asia Cup, Team India has had two highly successful and morale-boosting tours. They not only thrashed West Indies and Zimbabwe in One Day International (ODI)s without dropping a single game but in the T20 series, India outclassed the Windies 4-1 as well. Beyond the victories, are the superb performances by a host of rising stars that augur well with the T20 World Cup just 8 weeks away.

The win against the Windies in the T20s was especially impressive considering that the island team is a powerful opponent in the shortest format. On the batting side, with Virat rested and KL Rahul unfit, a host of young guns got opportunities which they encashed in a big way. Surya Kumar Yadav was easily the most consistent and his heroics made Indian wins look easy. He was a class apart and often seemed to be toying with the bowlers. With Virat and Rohit in uncertain form, Surya is possibly the most important cog in India’s batting wheel for the Asia Cup. Even Wasim Akram has now said that Surya might be the biggest threat for Pakistan come to their Asia Cup encounter!

The other young star emerging on the horizon is Deepak Hooda who played some delightful knocks and picked up wickets to showcase his all-round utility. After a fine IPL season, Hooda has shown his prowess with the bat in the limited opportunities for India. In his first seven T20I innings he has scored at a strike rate of over 160 including a terrific hundred against Ireland.

With Rohit also making some useful scores in the Windies and all-rounders like Hardik Pandya and Jadeja in good nick, the batting order looks in good shape. In particular, since the IPL, Hardik has blossomed and displayed what he can do when he is fit. The Gujarat Titans captain is contributing both with bat and ball and is now a huge asset for Team India. The X-factor for the team is Dinesh Karthik who has sealed his spot as a finisher and was in great form in the Windies.

In the two ODI series, Shikhar Dhawan showcased his class and Shubhman Gill enhanced his credentials in white ball cricket. Besides consistent knocks, his aggressive maiden ton in ODI cricket in the last game against Zimbabwe stamped the Test Opener as a batter of great value even in limited overs. In contrast, Shreyas Iyer’s problems against the short ball have got exposed and it is no wonder that he is not part of the Asia Cup squad.

Watch Team India’s video as they start practicing in Dubai for Asia Cup:

 

However, Virat’s return to form is the big development the entire cricketing world is waiting for, especially Indian cricket lovers. His lean patch has continued for too long whereby murmurs have now begun about his place in the T20 side with many talented youngsters performing well. More importantly, he needs to cut his frequent breaks as more game time will give him chances to regain his midas touch, critical for Team India to lift the T20 World Cup in Australia. 

The Bowling unit seems to be running like a well-oiled machine. With Bumrah unfit and Shami not in the squad, the focus is on young pacers. Luckily, Bhuvneshwar Kumar has looked at his best in the recent tours. Not only has he rediscovered his zip and swing but the veteran pacer will also be a great guide for the young guns in the pace armoury. Meanwhile, Avesh Khan has been on target mostly but is inconsistent at times.

The big gain is Arshdeep Singh and his performances both in initial overs and in death overs have been encouraging. Arshdeep can be a toe crusher and his form could be vital to give an edge to India’s attack in the absence of Bumrah and Harshal Patel. As a left-arm, he added much-needed variety and was named Man of the Series in the T20s. Even, Deepak Chahar made a welcome return in the Zimbabwe series but his poor spell in the last ODI reflected that he’s under-cooked to get a recall in the first rung of Team India just yet.

The spinners all seem to be displaying their wares in abundance. Yuzvendra Chahal and Ravi Bishnoi are both in the Asia Cup squad with their terrific spells in the Windies. With Ravindra Jadeja and Ravi Ashwin lending all round skills for greater balance, the team has an excess of riches. But it also gives selection headaches as it will be tricky to pick the spinners for the playing 11.

The Indian selectors are now facing a problem of plenty both in batting and bowling. While injuries to top players have opened doors to many youngsters it has also created a dilemma for selectors once the injured and rested players are back in the fray. But it is always a better situation to pick a side from multiple options than to draft in less than the best.

However, the BCCI continues to play musical chairs with the Indian captaincy. After announcing Shikhar as Skipper for the Zimbabwe tour, he was replaced abruptly once KL Rahul was declared fit. A bit of grace and dignity is much-needed to ensure there are no unnecessary frictions being created in a unit that seems strong enough to lift the Asia Cup.

As India opens their Asia Cup campaign against Pakistan, it is significant to remember that the traditional rivals have also been in great form in recent months. While the absence of unfit Shaheen Afridi who had rocked India in the T20 World Cup last year will be a big relief, Team India will need to be at their best if as defending champs they are to regain the Asia Cup trophy in Dubai!

বিদেশি ছবির রিমেক সবসময় ভারতীয় দর্শকদের জন্য কাম্য নয়

ডানপন্থীদের দ্বারা বয়কট একটি কারণ হতে পারে, কিন্তু ভারতে লাল সিং চাড্ডার বক্স অফিস পারফরম্যান্সের সাথে যা ঘটেছিল তা ভারতীয় চলচ্চিত্র শিল্পের সাথে দীর্ঘকাল ধরে সমস্যা রয়েছে।

লাল সিং চাড্ডা, আমির খান অভিনীত রিমেক হল 1994 সালের একটি দুর্বল অনুলিপি, টম হ্যাঙ্কস ক্লাসিক, ফরেস্ট গাম্প। হলিউড ক্লাসিকের একটি ফ্রেম-বাই-ফ্রেম রিমেক কাজ করতে ব্যর্থ হয়েছে। ভুল যে মি. পারফেকশনিস্ট এমন করলেন যে তিনি বুঝতে পারেননি যে ভারতীয় দর্শকদের মানসিকতা তার পশ্চিমা প্রতিপক্ষ থেকে অনেক আলাদা। বিদেশি ছবির যেকোনো রিমেক যথাযথ সিনেমাটিক ভারতীয়করণের মাধ্যমে করা উচিত।

42 বছর আগে, বাসু চ্যাটার্জি ম্যান পাসন্দের চিত্রনাট্য এবং পরিচালনা করেছিলেন, ক্লাসিক, মাই ফেয়ার লেডির শট-বাই-শট রিমেক। এটি একটি সুপার ফ্লপ হিসাবে উপহাস করা হয়েছিল যদিও এতে দেব আনন্দ, গিরিশ কার্নাড এবং মেহমুদের মতো বড় নামগুলি অভিনয় করেছিল। গিরিশ কার্নাড পরে স্বীকার করেছেন যে ভারতীয় দর্শকরা এমন একটি চলচ্চিত্র হজম করতে পারেনি যেখানে ভারতীয় আবেগ এবং অনুভূতি নেই।

যাইহোক, বাসু চ্যাটার্জি এক রুকা, হুয়া ফাইসলা টুয়েলভ অ্যাংরি মেনের আসল সংস্করণে চমৎকার ভারতীয় স্পর্শ দিয়েছেন এবং লাল সিং চাড্ডা একটি স্মরণীয় চলচ্চিত্র পরিচালনা করেছেন। পঙ্কজ কাপুর এতে দুর্দান্ত অভিনয় করেছেন।

হিন্দি পর্দায় বিদেশী সাহিত্যকর্ম নিয়ে চলচ্চিত্র নির্মাণ নতুন নয়। চেতন আনন্দ যখন 1950 সালে আফসারের মহাপরিদর্শক গোগোলকে দত্তক নেন, তখন এটি তার জন্য একটি চ্যালেঞ্জ ছিল। তার স্ক্রিপ্টে তিনি নৈন দিওয়ানে এবং মন মোর হুয়া অমর গানের মাধ্যমে দেব আনন্দ এবং সুরাইয়ার মধ্যে রোমান্টিক কোণ নিয়ন্ত্রণ করে সূক্ষ্মতার সাথে একটি ভারতীয় স্বাদ বেছে নেন।

ক্লাইম্যাক্স গানটি এক শটে পুরো কাস্টের উপর চিত্রিত করা হয়েছিল। সুরাইয়া ভালোবেসে মনে রেখেছেন কিভাবে চেতন আনন্দ তার অভিনেতাদের একটি কঠিন ব্যঙ্গের ত্বকে প্রবেশ করতে বাধ্য করেছিলেন। একটি ঐতিহাসিক সাক্ষ্য হিসাবে, আফসার হিন্দু পলায়নবাদী বিনোদন-প্রেমী দর্শকদের জন্য খুব বুদ্ধিদীপ্ত ছিলেন। এটি গড় ব্যবসা করেছে।

সাহেব বাহাদুরের চরিত্রে চেতন আনন্দের আফসারের রিমেকটি সবদিক দিয়ে ভুলবার মতো নয়। রাজ খোসলা তার দুটি স্মরণীয় চলচ্চিত্র কালাপানি (1958) এবং বোম্বাই কা বাবু (1960) এর জন্য এজে ক্রোনিন এবং ও হেনরির গল্প বেছে নিয়েছিলেন। প্রাক্তনটির জন্য তিনি গুরু দত্তের কাছ থেকে প্রচুর সৃজনশীল পরামর্শ নিয়েছিলেন এবং পরবর্তীটি চেতন আনন্দ দ্বারা পরিচালিত হয়েছিল।

কালাপানির মূল গল্পটি সঠিকভাবে পরিবর্তিত হয়েছিল, বিশেষত মূল ভারতীয় আবেগের সাথে ক্লাইম্যাক্সে এবং ষাঁড়ের চোখে আঘাত করেছিল। বোম্বাই কা বাবু, যদিও সত্যিকার অর্থেই তৈরি, তার সময়ের চেয়ে অনেক এগিয়ে ছিল। কীভাবে একটি অফবিট সাবজেক্ট শ্রোতাদের দ্বারা প্রত্যাখ্যান করা হয়েছিল তার আরেকটি উদাহরণ যা চিন্তা করতে এবং প্রতিক্রিয়া জানাতে পারে না।

গুরু দত্ত বিষয়টিকে সঠিকভাবে তুলে ধরেছেন। তিনি বলেছিলেন যে আশ্চর্যজনক উত্সের একটি বিষয়কে একটি পুঙ্খানুপুঙ্খ ভারতীয় সারমর্ম দিতে এবং এটিকে গ্রহণযোগ্য করে তুলতে সত্য সৃজনশীল কারুকাজ প্রয়োজন। তার নিজের আইকনিক কাগজ কে ফুল খারাপভাবে ফ্লপ হয়েছে। এটি সানসেট বুলেভার্ড দ্বারা অনুপ্রাণিত হয়েছিল, এবং চলচ্চিত্রের শ্রেষ্ঠত্ব ছিল কিন্তু দর্শকদের হৃদয় স্পর্শ করতে পারেনি। নিরক্ষর সমালোচকরা কাগজ কে ফুলের নায়ক মিস্টার সিনহার (গুরু দত্ত) পরাজিত আত্মাকে দোষারোপ করেছেন কারণ এটি ফ্লপ হয়েছিল।

মধুর ভান্ডারকর একই লাইনে একমত। তিনি পিয়াসা, গাইড এবং অভিমানকে ক্লাসিক মনে করেন। তিনি অনুভব করেন সুনির্দিষ্ট কমিক ছোঁয়া এবং চিরসবুজ সুরের সাথে শক্তিশালী ভারতীয় আবেগের ভাগ এই চলচ্চিত্রগুলিকে অমর করে তুলেছে। এগুলোর কোনোটিই পাশ্চাত্য সাহিত্য থেকে গ্রহণ করা হয়নি।

পার্ল এস বাক, একজন নোবেল বিজয়ী নিজেই, গাইডের ইংরেজি সংস্করণের জন্য একজন অসফল স্ক্রিপ্ট লেখক ছিলেন। বিজয় আনন্দ যিনি হিন্দি গাইড পরিচালনা করেছিলেন মনে করেছিলেন বাক মূল উপন্যাসের আবেগগত এবং আধ্যাত্মিক সারাংশ বের করতে পারেনি। তার মনের বাঁক রাজু গাইড এবং রোজির থেকে খুব আলাদা ছিল, যে চরিত্রগুলি তিনি তার উপন্যাসে কখনও লেখেননি।

ধ্রুব চ্যাটার্জি যখন আগাথা ক্রিস্টির উপর ভিত্তি করে গুমনামের চিত্রনাট্য লিখেছিলেন, এবং তারপরে কেউ নেই, তখন তিনি মনোজ কুমারের সহায়তার প্রয়োজন করেছিলেন। স্ক্রিপ্টে আবেগ, কমেডি এবং সাসপেন্সের সঠিক ডোজ সহ একটি সঠিক জাতিগত ভারতীয় স্পর্শ দেওয়া হয়েছিল। ওহ কৌন থি-র মতো মনোজ কুমার তাঁর স্ক্রিপ্টিংয়ের জন্য কোনও কৃতিত্ব নেননি। তিনি সবসময় বলেন, একজন ভারতীয় দর্শক একটি গড় চলচ্চিত্র থেকে একটি থালি আশা করে। এটি মিষ্টি, টক এবং লবণের একটি নিখুঁত মিশ্রণ চায়। পশ্চিমে, স্ক্রিপ্টগুলি অনেক বেশি উন্নত মানসিক সেটআপের সাথে লেখা হয় কারণ তাদের দর্শকরা আমাদের চেয়ে বেশি পরিণত।

প্রাচ্য বা পাশ্চাত্য বিষয়কে ভারতীয় সিনেমার মোড় দিতে ক্ষতি নেই। কোশিশের অন্যথায় জাপানি গল্পে গুলজার একটি উজ্জ্বল ভারতীয় স্পর্শ দিয়েছেন। এতে অবাক হওয়ার কিছু নেই যে সত্যজিৎ রায় স্বীকার করেছেন যে ভারতীয় বংশোদ্ভূত সাহিত্যের মাস্টারপিস নিয়ে পরীক্ষা করা সর্বদা ভাল কারণ শ্রোতারা তাদের সাথে সনাক্ত করতে পারে। ইসমাইল মার্চেন্ট তার ইংরেজি চলচ্চিত্রে হাউসহোল্ডার, শেক্সপিয়রওয়ালাহ এবং প্রিটি পলির মতো স্মরণীয় চলচ্চিত্র নির্মাণের জন্য ভারতীয় আত্মাকে বজায় রেখেছিলেন।

তবে লাল সিং চাড্ডা আন্তর্জাতিক দর্শকদের সামনে ভালো করছেন।

Remakes of foreign films are not always desirable for the Indian audience

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The boycott by right-wingers might be one of the reasons, but what happened with Lal Singh Chadda’s box office performance in India has an age-long problem with the Indian film industry. 

The Aamir Khan starer remake is a poor copy of 1994, Tom Hanks classic, Forrest Gump. A frame-by-frame remake of the Hollywood classic has failed to work. The blunder that Mr. Perfectionist did that he did not understand the psyche of the Indian audience is far different from its western counterpart. Any remake of a foreign film should be done by proper cinematic Indianization. 

42 years ago, Basu Chatterjee scripted and directed Man Pasand a shot-by-shot remake of the classic, My Fair Lady. It was ridiculed as a super flop though it starred big names like Dev Anand, Girish Karnad and Mehmood. Girish Karnad later confessed that the Indian viewers could not digest a film that lacked Indian emotions and feelings. 

However, Basu Chatterjee gave an excellent Indian touch to Ek Ruka, Hua Phaisla the original version of Twelve Angry Men well and directed a memorable film. Pankaj Kapur delivered a stellar performance in it.

Making films on foreign literary works is not new to the Hindi screen. When Chetan Anand adopted Gogol’s, Inspector General for Afsar in 1950, it was a challenge for him. In his script he opted for an Indian flavor with finesse, controlling the romantic angle between Dev Anand and Suraiya via the immortal songs Nain Diwane and Man Mor Hua. 

The climax song was picturised on the entire cast in one shot. Suraiya fondly remembered how Chetan Anand coaxed his actors to get into the skin of a difficult satire. As a historical testimony, Afsar was too intellectual for the Hindu escapist entertainment-loving audience. It did average business.

Chetan Anand’s remake of Afsar as Saheb Bahadur was a not forgettable film by all means. Raj Khosla opted for AJ Cronin and O Henry’s stories for two of his memorable films Kalapani (1958) and Bombai Ka Babu (1960). For the former he took a lot of creative advice from Guru Dutt and the latter was guided by Chetan Anand. 

Kalapani had the original story altered properly, especially in the climax with original Indian emotions and hit the bull’s eye. Bombai Ka Babu though truly well made, was far ahead of its times. Another example of how an offbeat subject was rejected by an audience that could not think and react.

Guru Dutt summed up the issue correctly. He said that to give a thorough Indian essence to a subject with occidental origin and make it acceptable required true creative craftsmanship. His own iconic Kagaz Ke Phool flopped badly. It was inspired by Sunset Boulevard, and had cinematic excellence but could not touch viewers’ hearts. Illiterate critics blamed the defeated soul of Mr Sinha (Guru Dutt) the protagonist of Kagaz Ke Phool as the reason why it flopped.

Madhur Bhandarkar agrees along the same lines. He feels Pyasa, Guide and Abhiman are classics. He feels the strong Indian emotional quotient with specific comic touches and evergreen melodies have made these films immortal. None of them were adopted from Western literature. 

Pearl S Buck, a Nobel laureate herself, was an unsuccessful script writer for the English version of the Guide. Vijay Anand who directed Hindi Guide felt Buck could not bring out the emotional and spiritual essence of the original novel. Her bent of mind was very different from that of Raju Guide and Rosy, characters whom she never penned in her novels.

When Dhruv Chatterjee wrote the screenplay of Gumnaam based on Agatha Christie’s, And Then There Was None, he required assistance from Manoj Kumar. The script was given a proper ethnic Indian touch with the right doses of emotions, comedy and suspense. Manoj Kumar like in Woh Kaun Thi never took any credit for his scripting. As he always says, an Indian audience expects a thali from an average film. It wants a perfect mixture of sweet, sour and salt. In the West, scripts are penned with a far more advanced mental setup as their viewers are more mature than ours.

There is no harm in giving an Indian cinematic turn to an Eastern or Western subject. Gulzar gave a brilliant Indian touch to an otherwise Japanese story in Koshish. No wonder Satyajit Ray confessed it is always better to experiment with literary masterpieces of Indian origin as the audience can identify with them. Ismail Merchant in his English films maintained the Indian soul to make memorable films like HouseholderShakespearwallah and Pretty Polly.

However, Laal Singh Chaddha is doing well before international audiences.

From Supreme Court to Indian streets, remission in Bilkis Bano case challenged

Kolkata: The rapists and murderers in Bilkis Bano case have been released to erase the 2002 Gujarat Riots, before the 2024 Lok Sabha polls but we will not forget it, said Jhelum Roy, a protestor while protesting in Kolkata against the remission of 11 convicts, who had gang-raped Bilkis Bano and murdered 14 of her family members including her daughter.

Today, three Public Interest Litigation (PIL)s have been filed at the Supreme Court challenging the remission of 11 convicts in the Bilkis Bano gangrape and murder case, the protests have also intensified across India and in Kolkata.

The PILs have been filed by Subhashini Ali CPM politburo bureau member along with Revathi Laul and Roop Rekha Verma, while another one by TMC MP Mahua Moitra and the third one by another petitioner.

A bench headed by Chief Justice NV Ramana took note of the submissions.

Whereas, from Kolkata to Giridih (Jharkhand), people hit the streets to register their anger not only against the remission of convicts in the Bilkis Bano case but also against the murder of 9-year-old Dalit boy Inder Meghwal.

Standard III student, Inder was beaten for drinking water from a pitcher which was reserved for upper caste students according to the headmaster, Chail Singh, who beat him mercilessly which later caused the death of the 9-year-old.

The release of the 11 convicts by the Gujarat government in the gruesome Bilkis Bano case whereby she was gang-raped, her 3-year-old child had her smashed on a rock, her mother and sisters were raped and killed; as many as 14 family members were killed. She allegedly knew all the criminals, who were her neighbours. Five months pregnant, she escaped, because they left her for dead.

supreme court remission bilkis bano case kolkata
A protestor

In Kolkata, several organizations which works for women rights including Feminists In Resistance, Sharamjivi Nari Mancha, Sara Bharat Pragatisil Mahila Samiti, Nari Chetna, Sara Bharat Viplabi Mahila Sangathan, Manvi and Committee Of Release of Political Prisoner hold a protest.

One of the youngest protestors, Jhelum said further, “It was deliberately done keeping in mind the 2024 elections (Lok Sabha polls). We have seen Maya Kodnani being released too. This time, it has been done to erase the memory of 2002. But we will fight tooth and nail and we will not forget it.”

“The criminals have not only got released under remission policy but they were given regular parole too. One Radheshayam has been on parole this year too. In the Bilkis Bano case, several violations of complete CrPC sections have taken place. The court should look into all these. In both Inder Meghwal and Bilkis Bano’s matters, they try to dilute it so that nothing wrong has happened. And this is how they are strengthening their politics but we have to fight it out,” Nisha Biswas of Feminists In Resistance told eNewsroom.

In Giridih, Bhim Army and Bhim Sena staged a protest against the killing of Inder Meghwal and the release of convicts in the Bilkis Bano case.

Meanwhile, because of the release of the 11 convicts, led to the beginning of another specter of mass phobia in Gujarat, bringing alive memories of the terror and mass tragedies of Gujarat in 2002.

The Indian Express has reported: “A week after the Gujarat government released 11 convicts serving life sentences in the Bilkis Bano case, several Muslim families from Randhikpur (Singwad) have started leaving their homes and have taken shelter in Rahimabad Relief Colony of Devgarh Baria taluka in Dahod district, where Bilkis has been living since 2017. Bilkis was gang-raped in Randhikpur during the communal violence that followed the Godhra train-burning incident in 2002.

supreme court remission bilkis bano case kolkata
Nisha Biswas delivering her speech during the protest

On Monday, when The Indian Express visited the relief colony, loaded tempo rickshaws were bringing in residents of Randhikpur into the relief colony along with their luggage where they decided to stay until ‘a decision is made’ regarding the release of the convicts.”

Meanwhile, in an extraordinary, deeply sensitive and moving interview published in ‘Bar and Bench’, Advocate Shobha Gupta, who represented Bilkis in the Supreme Court, said:

“It cannot turn everything upside down. Here, the remission comes from the fact of the whole punishment. When it comes to the criminal justice system, if you are committing a serious crime, you have to undergo a serious punishment — it is making a mockery of it.”

She continued: “This is one saga of extreme atrocities, extreme violence, crime beyond words, comprehension and imagination. But at the same time, it is the saga of immense, incomprehensible strength shown by this girl, the bravery. I always say that we draw strength from her.”

“What do I say about Bilkis? We all are in a disturbed condition. You put in all this, ensure justice, you fight till the last court. You succeed to get the conviction upheld. Highest ever compensation in a matter because of the gruesomeness and the exceptional facts of the case, and then to come back to a minimum sentence undergone?” Gupta mentioned.

The advocate said further: “Now going for another round of appeal for harsher punishment, she would have had to live under the pain, the process for good long years. Let her live life. Let her at least allow her to learn to live her life in peace.”

(Bano, as per the interview, was on antidepressants for a considerable part of her legal journey, Gupta revealed, adding that she struggles to be in a crowd even today. She did not accept a job that was granted by a Supreme Court order because she just can’t be among people.)

And added: “She did not accept a job which was granted by a Supreme Court order because she just can’t be among people. And so we did not challenge it further, because the matter deserved a much harsher punishment than life imprisonment. We did not wish to go because we wanted peace to come to her. It should have been avoided. We failed as a society for her. It is a feeling of shame to face her. Have you ensured light at the end of the tunnel for it to come on my face like this? I have a shame written. I cannot face her. I would feel very guilty facing her.”

“See, it is not easy for a rape victim. Somebody had caused such a severe harm to your privacy, bodily integrity to your soul — what not. And to live with that pain continuously and reiterate it to get justice. to face people. Each time to tell someone that this happened to me somebody came and did like that. You suffer all that, why? Because you believe justice will be done and the wrongdoer will be booked. Booked for what? Booked for namesake? If people can come out like this to stare at your face?” asked Gupta.

Another youth falls victim to BSF bullets, MASUM writes to the rights body 

Kolkata: A 24-year-old youth has been allegedly shot dead by the Border Security Force at the India-Bangladesh border, a fact-finding team of MASUM, a non-government organization which works for the human rights of residents living around Indo-Bangladesh border reported about it.

Ekramul Miya, a resident of Chhoto Madhusudan village under Sitalkuchi police station area of Cooch Behar district was shot directly without any warning, 500 meters within the Indian territory near Bangladesh border by the on-duty BSF personnel attached with Nalangibari Border Outpost, 169 Battalion, MASUM mentions in its report.

The NGO has written to National Human Rights Commission, on the alleged killing.

The incident took place on June 23 itself. However, local police are yet to register a complaint made by Ekramul’s widow.

ASUM’s fact-finding team has mentioned that the deceased Ekramul Miya, was a small-time smuggler. But he resorted to this illegal means of living to sustain his family. MASUM, works along the India-Bangladesh border, spanning over 2000 kilometers, claims that there is not much option left for the locals for legal works, as BSF does not allow them to work properly, be it farming or fishing.

On 25th June, MASUM conducted a social audit at Serampur in which at least fifty victims of BSF’s extra-judicial acts had recorded their statements of extra-judicial killings, torture, denial of livelihood by the forces before retired judges and other dignitaries.

Kirity Roy, secretary of MASUM had told eNewsroom, “Every year over 200 people are killed along the Indo-Bangladesh border. Not only that, torture, rape, molestation, denial of livelihood, and imposition of 144 CrPC are taking place with impunity. India also shares a border with Bhutan and Nepal, but it is not under BSF and it is not that violent. The time has come for the NHRC, West Bengal human rights commission and other concerned departments and officials to wake up as several innocent people are getting killed.”

On August 18, on Ekramul’s incident, the secretary wrote to NHRC, “According to our fact-finding report, it was revealed that Ekramul Miya was involved in illegal cross-border smuggling to get some extra income for his family. The victim is a poor labourer, who was involved in cross-border smuggling to survive and sustain his family.” 

It further mentions, “Even after the victim’s widow complaining, police and administration has turned deaf ears to her pleas. The brutal incident raises several questions about the safety and security of Indian citizens residing along the border. Who is to blame if a person resorts to illegal means to survive and sustain his family? What is the highest punishment for cross-border smuggling; is it the death penalty? Does the BSF have the authority to grant death sentence to someone they think is guilty? Does the BSF have judicial powers to grant ruling over the Indian citizenry? Such incidents bring shame to the country’s criminal justice system and is a violation of the Indian Constitution. The autopsy report has revealed that the bullet was fired from close range and there were several blackish wounds over the left sacrum and lumbar area of the deceased victim, which means the victim was tortured first and then was shot from close range. From the post-mortem examination report, we can apprehend that its a case of custodial death by the BSF. They first apprehended the victim and tortured him heavily and then fired at him from close range.”

The human rights activist also mentioned, “As it is a case of custodial death by the BSF, the inquest of the body should be done by one judicial magistrate as per section 176 (1) (a) of the Code of Criminal Procedure. But in this case, the inquest was done by one police person of Mathabhanga Police Station and one executive magistrate which violated sections 174 and 176 (1) (a) of the Criminal Procedure Code.”

And pointed out, “The incident violates the rights guaranteed in Article 21 of Indian Constitution and the premise of Article 6 of International Covenant on Civil and Political Rights as well as the Goal No. 8 and 16 of Sustainable Development Goal earmarked by United Nations and in both these international instruments; the government of India is a party and have an agreement. The perpetrators also violated Articles 2, 3 and 8 of the Code of Conduct for Law Enforcement Officials; Adopted by General Assembly resolution 34/169 of 17 December 1979 and basic tenets of the Eighth United Nations Congress on the Prevention of Crime and the Treatment of Offenders.”

The deceased victim was the sole earning member of the family. Killing the victim by the BSF thrashed the family members of the victim into more poverty. While the Government of India has been considering implementing the United Nations Sustainable Development Goals within 2030 and where the first goal is to reduce poverty, the agent of the government (here BSF) by killing the victim pushes them into the face of extreme poverty.

Kirity Roy, MASUM secretary’s June 25 interview to eNewsroom:

The letter added: Family members of the deceased victim have only two bighas of cultivable land. That agricultural land is situated beyond the barbed wire but that is also within the Indian Territory. The Central Public Works Department constructed this barbed wire 500 meters distance from the International Border Pillar (IBP). They have to face obstacles and illegal restrictions by the BSF when they go to cultivate the land situated beyond the barbed wire. The right to decent work is recognized in the Universal Declaration of Human Rights, which has provisions dealing, not only with “the right to work”, but with the various aspects of decent work, including just and favourable conditions of work, protection against unemployment, equal pay and social protection. In connection with this case, we find that the deceased victim was migrant labour for nine months and for the rest of three months he worked as day labour or was sometimes involved in smuggling activities. The government failed to provide job security to the victim. Article 41 of the Constitution of India enjoins upon the State, the duty to secure the social and economic rights of the people. The Government of India has been considering implementing Goal number 8 of the Sustainable Development Goals which promotes sustained inclusive and sustainable economic growth, full and productive employment and decent work for all but ultimately the government could not keep its words.

MASUM demand from NHRC:

  • The whole incident must be inquired about by the investigation wing of the Commission.
  • As the extra-judicial killing takes place and a firearm is used by the BSF and as a result of that one death occurred, an FIR to that effect shall be registered and the same shall be forwarded to the Court under section 157 of the Code of Criminal Procedure without any delay.
  • The Cooch Behar district administration must follow the guidelines laid down by NHRC in the case of “Encounter Death”.
  • This unlawful death should be properly investigated in line with Minnesota Protocol.
  • The unnatural death case initiated by the Mathabhanga Police station vide Mathabhanga PS U/D case number 83/22 dated 24.06.2022 must be properly investigated.
  • Specific case under section 302 IPC to be started against perpetrator BSF attached with Nalangibari Border Out Post, 169 Battalion.
  • Criminal Charge should include causing disappearance of evidence of an offense against the perpetrators in uniform
  • An independent investigation into the incident must be investigated by the CID.
  • The guilty BSF personnel involved must be booked and prosecuted in open court.
  • The family of the victim must be compensated.
  • Security and safety of the witnesses and the family of the victim must be protected.
  • The BSF must be posted on actual borders and not inside villages.
  • To stop infiltration and to check to smuggle the BSF must be posted on the actual border and not inside the territory.
  • To stop the smuggling activities governments must take proper steps to implement the MNREGA programme and construct Border Hut at the bordering populace.
  • Government should take appropriate steps so that the United Nations Sustainable Development Goals will be implemented by the year 2030, the letter mentioned. 

 

After the publication of this story, if BSF tells its side of the matter, we will publish it too.

PUCL and 6000 citizens condemn the remission of the 11 convicts in the Bilkis case

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Kolkata: Peoples Union for Civil Liberties (PUCL) and six thousand people from across India condemned the release on remission of the 11 convicts in the Bilkis Bano case on August 15, 2022. 

Under remission policy, 11 convicts charged with charges of gang rape of a pregnant woman and multiple murders during Gujarat riots in 2002, walked out free. 

PUCL in its statement mentioned, “The release of the 11 convicts, even as many others accused of less serious offences remain in jail, is an arbitrary exercise of power, having dangerous political overtones.” 

And pointed out, “It mocks the idea of a democracy based on rule of law when those accused of serious offences including rape and murder are arbitrarily released even as those who are falsely accused of crimes, continue to languish in jail.”

The release of the accused sends out the chilling message that the most heinous crimes including rape and murder when committed against the minority community, are not crimes. This has fatal repercussions for the future of Indian democracy,” it said.

While Sahelis stated on behalf of six thousand activists ordinary citizens, grassroot workers, women’s, human rights, peace, secularism, anti-caste, disability, queer rights and other peoples’ movements, groups and activists, eminent writers, historians, scholars, filmmakers, journalists and former bureaucrats and many more, said:

“On the morning of August 15, 2022, in his Independence Day address to the nation, the Prime Minister of India spoke of women’s rights, dignity and Nari Shakti. That very afternoon Bilkis Bano, a woman who embodied that ‘Nari Shakti’ in her long and daunting struggle for justice, learnt that the perpetrators who killed her family, murdered her 3-year-old daughter, gang-raped and left her to die, had walked free.”

It further said, “No one sent her notice. No one asked how she, a gang-rape survivor, felt about the release of her rapists… it shames us that on the day we should celebrate our freedoms and be proud of our independence, the women of India instead saw gang-rapists and mass murderers freed as an act of State largesse.”

pucl citizens remission 11 convicts bilkis bano case
The rapists and murderers were feted too soon after they were out from the jail | Express Photo

And added, “The remission of sentences for the 11 convicted of gang-rape and mass murder will have a chilling effect on every rape victim who is told to ‘trust the system’, ‘seek justice’, ‘have faith’. Further, the statement stated that the “remission of these sentences is not only immoral and unconscionable, it violates the State of Gujarat’s existing remission policy…” and “the guidelines issued by the Central government to States on a prisoner release policy to coincide with Azadi ka Amrit Mahotsav which also clearly states that among the categories of prisoners NOT to be granted Special Remission are “those convicted of rape”. Most importantly, in a case investigated and prosecuted by the CBI, no remission can be granted by a State without concurrence from the Centre. That such remission was even considered and then permitted, reveals the hollowness of the public posturing about Nari Shakti, Beti Bachao, women’s rights and justice for victims.”

The signatories urged the Supreme Court to undo this grave miscarriage of justice. 

While PUCL made found demands:

1. The remission of these 11 convicts be immediately revoked 

2. Protection measures for Bilkis and her family be immediately ensured 

3. The Central and State government be held accountable for such arbitrary abuse of power

4. The Government of Gujarat should place in the public domain the entire process, the proceedings of the committee leading to the governor finally giving assent to the remission of sentences.

Meanwhile, On March 3, 2002, Bilkis Bano from Randhikpur village of Dahod district Gujarat was 21 years old and 5 months pregnant when she was gang raped, 3 other women including her mother were also gangraped in front of the men of their family. Bilkis’s 3-year-old daughter Saleha was murdered, as the accused smashed her head with a stone and 7 members of her family were brutally murdered. All those who committed this gruesome act of brutality were people she knew from her neighbourhood. 

Due to public outrage in the matter, the Supreme Court ordered the investigation to be carried out by CBI. In 2004 the accused in the case were arrested and the trial began in Ahmedabad, however, due to apprehensions over the trial being conducted in Gujarat, fearing evidence tampering and threats to the witnesses, the trial was transferred to Maharashtra by the Supreme Court.

On January 21, 2008, the Special CBI Court sentenced the 11 accused to life imprisonment on the charges of conspiring to rape a pregnant woman, murder, and unlawful assembly under the Indian Penal Code (IPC). The court acquitted seven other accused for lack of evidence and one of the accused died during the trial.

In January 2018 the Bombay High Court upheld the conviction of the accused. The case was carried to the Supreme Court which upheld the convictions. 

Thereafter, one of the accused Radheyshyam Shah approached the Gujarat High Court seeking remission of the sentence under sections 432 and 433 of the Code of Criminal Procedure (CrPC). The Gujarat HC dismissed his plea saying that since the trial has been concluded in the State of Maharashtra, the application for pre­mature release must be filed in the State of Maharashtra and not in the State of Gujarat, as prayed by the petitioner. 

protests citizens remission 11 convicts bilkis bano case
Protest against convicts of Bilkis Banos case in Delhi | Courtesy: PTI/Kamal Singh

The petitioner approached the Supreme Court, and the court in its order dated May 13, 2022, held that the crime in the instant case was admittedly committed in the State of Gujarat and ordinarily, the trial was to be concluded in the same State and terms of Section 432(7) CrPC, the appropriate Government in the ordinary course would be the State of Gujarat but the instant case was transferred in exceptional circumstances by this Court for the limited purpose for trial and disposal to the neighbouring State (State of Maharashtra) by an order dated August 6, 2004, but after the conclusion of the trial and the prisoner being convicted, stood transferred to the State where the crime was committed (Gujarat) which remains the appropriate Government for Section 432(7) CrPC. The policy with which the petitioner must be governed, applicable in the State of Gujarat on the date of conviction, is Resolution No. JLK/3390/CM/16/Part/2/J dated July 9, 1992.

Based on the order of the Apex Court, the government of Gujarat formulated a committee to consider the release of the accused and found it fit to allow the pre-mature release of these accused.

Recently, the Ministry of Home Affairs, Central Government issued a notice on the “Special Remission Module” to grant remission to prisoners as part of the celebration of Azadi Ka Amrit Mahotsav and directed the states to take necessary action to expedite the process, the notice says prisoners to be released on August 15, 2022, January 26, 2023 and August 15, 2023 after due consideration by the committees formulated at the state levels. However, the guideline mentions that the policy will not apply to prisoners convicted of rape. 

Similarly, as per the resolution no JKL/822012/1859/J dated January 23, 2014 of the Government of Gujarat Home Department, prisoners convicted of gang rape, or group murder of two or more members would not be considered for remission. 

However, the Resolution No. JLK/3390/CM/16/Part/2/J dated July 9, 1992. according to which the 11 convicts were released have not categorised the convicts as eligible for the remission process. In any case, this is a discretionary relief that has to be exercised on an objective basis. In the present case where the Supreme Court had itself felt that the situation in Gujarat was not ripe for handling the trial and the victim and her family were constantly under pressure and threat the discretion should not have been exercised to release the persons. It was also incumbent, in the context of the case, to ascertain the views and apprehensions of Bilkis and her family before any decision was taken.

It should be noted that under section 435 of the CrPc if the case is investigated by the CBI, the power of remission that is awarded to the state government in a case investigated by the CBI shall not be exercised by the government except after consultation of the central government. 

The PUCL release also mentioned, “The arbitrary release of these 11 convicts sends a rude shock across the nation, raising several questions as to how the State of Gujarat has arrived at this decision and how has the central government remained silent after affirming decisions on such matters. The decision to grant remission should be consultative, fair, informed, and reasonable. Here it is evident that the state has abused the discretionary power awarded to it.”

“This decision also mocks the efforts of all the human rights defenders in the country who have been walking the difficult path to seek justice for the most vulnerable in this country.” 

“Bilkis and Yakub did not give up their faith in the state for nearly 17 years and fought tooth and nail for justice. The family today is again pushed into the darkness of fear, their faith shaken, and their world shattered.”

‘Education of privileged’ for the underprivileged

Kolkata: Life was least promising for Kolkata’s 6-year-old Asad Khan after his father’s demise. Unable to bear the family expenses, his mother got married for the second time in Punjab. But the marriage did not work out and the mother-son duo escaped back to their city of origin. Living in penury, little Asad began working in a slipper manufacturing unit in Kolkata, till he got in touch with Umeed Academy.

The dirty, unkempt boy, who seemed disinterested in studies couldn’t even tell his name. But once at Umeed, he got it all -name, education and document. Similar is the story of several other toddlers who either lost their father at a young age or have parents who are rickshaw pullers or beggars. But a thread that ties them together is, the Umeed Academy, which has given them the hope of a better life and a dream to be leaders in future.

“The name Asad Khan has been given by us and the academy made his birth certificate. All the children here have similar stories. And most could not get two meals in a day at their respective homes,” Wali Rahmni, the founder of Umeed Academy told eNewsroom.

Inculcating education in a unique way

The land of Kolkata, which has given Missionaries of Charity to the world, is now nurturing an educational cradle that provides exceptional education in sync with the ICSE curriculum to the poorest of the poor.

The academy runs a 12-hour schooling system. During this time frame, the center not only takes care of the academic needs but also the health and personal life of the enrolled kids. Along with coaching, they are provided six meals a day, uniform and even stationary.

umeed academy education poor underprivileged
The pupils of Umeed Academy inside their classroom

The students report at the center by 7.30 in the morning and stay on till 7.30 in the evening. They study with the help of smart boards and projectors. There is a computer lab too in the academy that began with three students in 2018 that now has around 230 children.

Every year, along with the number of students increasing, the academy also grows by one class. Till date, the academy has students enrolled till class IV. The lesson planning is done at three levels– annual, weekly and daily lessons. The daily lessons are explained in detail, while an academic year has been divided into six cycles.

Every class has two sets of two teachers to train them. The first set teaches between 7.30 am to 3.30. The second set of teachers is called the House Parents who look after the kids post 3.30 pm.

There is a sports activity too. And all students have been taught mixed martial arts. The academy kids have been recently selected for a state-level martial arts competition.

education poor underprivileged

But all this did not happen in a day. Years of effort, perseverance of its 23-year-old founder Wali Rahmani known as Abba Ji among kids has made it possible. Wali, himself is a final-year law student. Sharing his vision, Wali said, “Our philosophy is providing ‘education of the rich’ to the poor. We want to give the best education to poor kids. I do not believe that something is better than nothing. If we are doing something for them, it has to be the best. So we are providing kids of the academy modern contemporary education.”

“We also give emotional conditioning and respect to each student. Because when they will start living a life with dignity then they will respect others too,” he pointed out.

The sight of poverty

Wali believes poverty is a disease and it is an ancestral one. If some major intervention does not take place in the life of the impoverished then it is carried forward from one generation to the next. 

“When I see poor kids begging or scavenging, it shakes me to the core. Even as a child I used to think about what I could do for such kids, so that they would be able to come out of poverty.” mentioned the founder of Umeed.

Wali, on being asked about the idea behind the 12-hour study-activity schedule, said, “We try not to send them back to the gethoes for longer hours, as they can be exposed to drug addiction and sexual violence out there. So, we send them back around a time when they can just fall asleep.”

umeed academy education poor underprivileged

Coping during Lockdown 

“Lockdown was a difficult period for us. None of the parents of our kids had a smartphone. So we could not move on to online teaching. So, we had our teachers prepare lessons and homework, which was dispatched to the homes of children. Once the kids would complete their assigned tasks, their parents or guardians would submit those copies. This is somehow how we tried to continue with their studies.”

What do the teachers have to say?

The academy has around 16 highly qualified trained teachers.

Abhishek Mukharjee, who has served in the Indian Army for 18 years, is the manager of the academy. The army veteran said, “I am doing this work for myself. The satisfaction of working in the Army was different. Here I can tell my children that by serving these kids, I am serving the country. Generally, we do not like to come close to beggars and ragpickers. But here along with educating them, we also do many things of our own like cleaning them and applying ointments if they need it.”

“When I tell people that I work for an NGO, they might think we are making money like many others. But if they visit us, then they will realise how good a job this institution is doing,” he added.

Qari Mohammed Fayazuddin, another teacher stated, “We have never gone to any school, so we had no idea about classroom teaching. But what I have seen and done here is something completely different from what is done in Madrasas. Here it is a very unique way of teaching. And for us, it is like serving Allah (Khidmat-e-Khalq), through kids.”

umeed academy wali rahmani education
Wali Rahmani with the faculty members of Umeed Academy

Muskan Sharma, associated with the academy holds a Master’s degree in Linguistics. Both her parents are teachers, her father teaches in an army school. She mentioned, “What I found here is that the relationship between teacher and student is not limited to teaching. We spend time with them, eat and play too. We build emotional bonding with them, as our utmost priority remains to make them better individuals. Here teaching is more of a circular way than just a two-way learning process.”

“We want to make every child an asset to society. We do character building for every child so that tomorrow they can support others,” said coordinator Gazala Imam, a senior teacher.

Plan and public support

Some well-wishers have donated a piece of land for Umeed Academy, which is at present functioning in a rented building. The new campus will be developed as a residential center. It will have a football ground as well as a basketball court among others.

“Annual expense for sustaining a student’s need is Rs 30000. And Umeed’s children will soon have a new address. Are you willing to invest in shaping the lives of our future leaders?” asks Wali.

Is there any difference between Independence and Freedom?

[dropcap]”T[/dropcap]rue independence and freedom can only exist in doing what’s right”

The powerful words from Brigham Young are bound to instill some serious insight in the citizens into understanding and distinguishing between independence and freedom as our nation celebrates India’s 75th Independence Day.

Independence is interpreted by the dictionary as ‘being free from outside control and being able to think or act for oneself.’ It means that only when one is capable of being self-sufficient and responsible enough to make one’s own decisions and assume responsibility for them, without being influenced by others, that one can be considered independent. Here, the important point to be considered is that education forms the vital door to achieve these qualities.

India’s 75th Independence Day

Independence is a complex idea that is hard to define. Different people perceive independence differently. Some believe that true independence means being able to do whatever one wants without being constrained by rules and laws. Some others believe it to be the right of a person to stand up for himself and take decisions without external pressure. However, the basic principle remains the same independence is being able to act by oneself and not having to depend on others.

Independence can also be expressed as the freedom of the soul, a perception of the mind and a feeling experienced by the heart. This freedom, its perception and the feeling are that of liberation, patriotism and self-dependence. When all such terms are put together and exercised, it is a big responsibility on the citizens of that nation and also on those who govern it.

But Freedom and Independence may not essentially mean the same. Let’s make a humble effort to shed some light on whether freedom is very different from independence

If Nelson Mandela’s words could be borrowed,

“To be free is not merely to cast off one’s chains, but to live in a way that respects and enhances the freedom of others.”

Freedom is a term that cannot be applied to just one individual but is relevant to society as a whole. It is worth noting that the real essence of freedom lies in helping others to enjoy it too.

To many, freedom means being supported in exploring a new unconventional path, to create new ways of living. Their interpretation of freedom is to free themselves from societal expectations of living life in a certain way. The question raised by them is how one can have real freedom when he has to just act according to the rules set by others.

The dictionary defines freedom as “the power or right to act, speak, or think as one wants.” It can be explained as one’s right to express oneself.

Freedom, in a political context, refers to the absence of physical coercion and being free from government coercion. It means to be free from the coercive power of the authority and nothing else. Freedom also means that one’s life is shaped by personal priorities rather than social pressures.

In the context of a nation, freedom and independence are considered roughly the same, though in the individual scenario it may not necessarily be so. It may be possible for a person to have freedom without independence but attaining independence without the freedom to act according to one’s will is certainly out of question. This is exactly the reason why our constitution guarantees such fundamental rights as freedom of speech and expression, freedom of religion, and the right to equality. right against exploitation and most importantly the freedom to choose our government to ensure the people are free as well as independent.

“Your freedom to swing your arms ends where my nose begins.” These golden words serve as a constant reminder to man as a social being to be cautious, not to overstep one’s boundaries and respect others’ freedom as well.

As our great poet Tagore rightly pointed out, only that country that can provide the freedom of securing knowledge, freedom to exercise one’s will without fear, freedom from oppression and class differences will be able to produce independent citizens who can hold their heads high with confidence and are capable to lead our democratic secular country to progress in the world arena.

Freedom is the principle of being able to practice one’s free will in theory. Independence is the ability of a person to exercise his or her free will without fearing repercussions by being self-dependent. Therefore, it can be said that freedom and independence go hand in hand to form an egalitarian society and work together to achieve peace and harmony.

On a concluding note, it would be worthwhile emphasizing the importance of enjoying freedom to the fullest, but keeping in mind the values, tradition, and heritage of our motherland; keeping her honour in highest priority; to distinguish between good and evil – Only then it can pave the way to independence in the true sense!

দিলীপ কুমারের শহীদ আমাকে অভিনেতা হতে অনুপ্রাণিত করেছিল: মনোজ কুমার

ভারতীয় চলচ্চিত্রে ভারত কুমার নামে পরিচিত বলিউড অভিনেতা মনোজ কুমার সবচেয়ে দেশাত্মবোধক থিম মুভিতে অভিনয় করেছেন এবং করেছেন। 85 বছর বয়সী মনোজ কুমার ভারতের 75 তম স্বাধীনতা দিবসের প্রাক্কালে সাংবাদিক রঞ্জন দাস গুপ্তের সাথে কথা বলেছেন। বিশেষ সাক্ষাৎকারটি পড়ুন তার নিজের ভাষায়:

স্বাধীনতার প্রথম দিনটির কথা মনে পড়লে আজও আমার মন খারাপ হয়ে যায়। অগণিত স্বাধীনতা সংগ্রামের স্মৃতি, আমাদের শহীদদের হাজার হাজার প্রাণের বলিদান, এবং মহান জাতি ভারতের ঐক্য, একক কারণে, স্বাধীনতা।

বলিউড অভিনেতা মনোজ কুমার

আজ আমরা 140 কোরের জনসংখ্যার একটি সার্বভৌম জাতি। জনসংখ্যা ও ভাষার দিক থেকে পৃথিবীর আর কোনো দেশে এমন বৈচিত্র্য নেই। ভারতীয় সিনেমাতেও এর প্রতিফলন ঘটেছে। হিন্দি চলচ্চিত্রের কথা বলতে গেলে, আমি স্বীকার করি যে তারা মূলত পলায়নবাদী বিনোদনকারী। বক্স অফিস সাফল্য সব বয়সের জন্য হিন্দি চলচ্চিত্রের প্রধান ফোকাস।

দুনিয়া না মানে, পড়োসি এবং ডক্টর কোটনিস কে অমর কাহানির মতো সাহসী এবং অফবিট ছবিগুলি ছিল ডক্টর ভি শান্তরামের সৃষ্টি, হিন্দি ভাষায় প্রথম চলচ্চিত্র নির্মাতা। একজন চমৎকার গল্পকার ও প্রযুক্তিবিদ, তিনি জাতীয়তাবাদের চেতনা ভালোভাবে বুঝতেন। মেহবুব খানও তাই করেছিলেন যার রোটি এবং মাদার ইন্ডিয়া মাস্টারপিস।

আমি অভিনেতা হওয়ার জন্য দিলীপ কুমারের শহীদ থেকে অনুপ্রাণিত হয়েছিলাম। এটি 40 এর দশকের শেষের দিকে স্বাধীনতা সংগ্রামের সত্য বার্তা সহ একটি দেশাত্মবোধক চলচ্চিত্র ছিল। হেমেন গুপ্ত দেখিয়েছিলেন যে তিনি বঙ্কিমচন্দ্র চট্টোপাধ্যায় ক্লাসিক, আনন্দমঠের সেলুলয়েড গ্রহণ কতটা ভালোভাবে পরিচালনা করতে পারেন। হেমন্ত কুমারের সুরে লতা মঙ্গেশকর অমরভাবে রেন্ডার করা বন্দে মাতরম আমার মতে ভারতীয় সিনেমার জন্য একটি মহান জাতীয়তাবাদী গান।

পল জিলা’স, জলজালা ঠাকুরের চার অধ্যায়ের উপর ভিত্তি করে আমাদের স্বাধীনতা সংগ্রামের পটভূমিতে একটি প্রশংসনীয় চলচ্চিত্র ছিল। কেএ আব্বাস 1952 সালে রাহির সাথে মুল্ক রাজ আনন্দের, দুই পাতা এবং একটি বাডকে একটি চমৎকার চলচ্চিত্র সংস্করণ হিসাবে রূপান্তরিত করেন।

শহিদ ভগৎ সিং-এর আমার বায়োপিক-এ, আমি হিন্দু লাইব্রেরিতে এবং পাঞ্জাবের বিভিন্ন কোণে গিয়ে গবেষণা করার জন্য আমার সর্বোত্তম প্রচেষ্টা চালিয়েছি। এই বিপ্লবী চেতনা আমার মধ্যে বাস্তবতা বর্ণনা করার তাগিদ জাগিয়েছিল।

এটা কোন নতুন খবর নয় যে ভগত সিংয়ের মা চণ্ডীগড়ের একটি হাসপাতালে অসুস্থ ছিলেন এবং ওষুধ অস্বীকার করেছিলেন। এটা শুনে আমি তাকে দেখতে গেলাম। আমাকে দেখে মুচকি হেসে বলল সে তার ছেলেকে আমার মধ্যে বেঁচে থাকতে দেখেছে। আমি বাকরুদ্ধ হয়ে গেলাম। 1965 সালে জাতীয় পুরস্কারের অনুষ্ঠানে, বাঘাত সিংয়ের মা মঞ্চে উপস্থিত হয়েছিলেন, আইএন্ডবি মন্ত্রী প্রয়াত ইন্দিরা গান্ধী তার পা স্পর্শ করেছিলেন। আমি শহীদের কাছ থেকে অর্জিত পুরস্কারের পুরো কার্যক্রম তার পরিবারের কল্যাণে দান করেছি। যদিও আমি কৃতিত্ব নিইনি, তবে শহীদের পুরো স্ক্রিপ্ট রাইটিং আমার তত্ত্বাবধানে ছিল এবং আমি প্রায় 90% ছবির ভূত-পরিচালনা করেছি।

1970 সালে পূরব অর পশ্চিমে, আমি স্বাধীনতা সংগ্রামের পর্বগুলিকে বাস্তবের ছোঁয়া দেওয়ার জন্য কালো এবং সাদা রঙে চিত্রায়িত করেছি। কিষাণ ধাওয়ানের মাধ্যমে, পাঞ্জাবের প্রকৃত জাতীয়তাবাদীর প্রতীক, প্রাণ ছিলেন বিশ্বাসঘাতক, গাদ্দার যারা আমাদের সমাজে আজও বিরাজ করছে। পরে তিনি পুনরুত্থিত হন। প্রাথমিক শিরোনামটি ছিল হরে রামা, যা দেব আনন্দ আমাকে ডেকে তার আসন্ন পরিচালনার উদ্যোগের জন্য তাকে শিরোনাম দেওয়ার জন্য অনুরোধ করার পরে আমি পুরব অর পশ্চিমে পরিবর্তন করেছি।

প্রখ্যাত কবি অমৃতা প্রীতম 70-এর দশকের মাঝামাঝি সময়ে জরুরি অবস্থা সমর্থনকারী প্রয়াত ইন্দিরা গান্ধীর উপর একটি তথ্যচিত্র লেখার প্রস্তাব নিয়ে আমার কাছে এসেছিলেন। আমি দৃঢ়ভাবে অস্বীকার করেছিলাম যদিও আমি কট্টর কংগ্রেস সমর্থক ছিলাম।

আমি বিস্মিত এবং আহত হয়েছিলাম, রিচার্ড অ্যাটেনবারোর গান্ধীতে সুভাষ বসুর কোনো উল্লেখ ছিল না। সর্দার বল্লভ ভাই প্যাটেলের চরিত্রে পরেশ রাওয়াল কেতন মেহতার আয়রন ম্যান-এ প্রাণ দিয়েছেন। নেতাজির শ্যাম বেনেগালের বায়োপিক ছিল একটি স্যাঁতসেঁতে স্কুইব।

আমির খানকে আমির খানকে অভিনন্দন জানাই লাগানের জন্য, যেটি ক্রিকেট ব্যবহার করে আমাদের জাতির স্বাধীনতা সংগ্রামকে দেখানো একটি ভিন্নধর্মী চলচ্চিত্র। তবে তার মঙ্গল পান্ডে ছিলেন গড়পড়তা।

স্বাধীনতার ৭৫ বছর পেরিয়ে গেছে। ভারতীয় চলচ্চিত্র সম্প্রদায় এখনও একটি শিল্পের স্বীকৃতি পায়নি। এই শুভ দিনে, আমি আন্তরিকভাবে প্রার্থনা করি যে আমরা শিল্প স্বীকৃতি লাভ করি। তাহলে অনেক অতিরিক্ত শিল্পী, টেকনিশিয়ান এবং প্রযোজনার মানুষের জীবন নিরাপদ হয়।

(রঞ্জন দাস গুপ্তকে বলা হয়েছে)

Dilip Kumar’s Shaheed inspired me to become an actor: Manoj Kumar

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Bollywood actor Manoj Kumar, known as Bharat Kumar in Indian cinema has acted in and made the most patriotic theme movies. The 85-year-old Manoj Kumar talked to journalist Ranjan Das Gupta on the eve of the 75th Independence Day of India. Read the exclusive interview in his own words:

As I remember the first day of Independence, I still get goosebumps. Memories of countless freedom struggles, sacrifices of thousands of lives by our martyrs, and the unity of the great nation India, for a single cause, Independence.

Today we are a sovereign nation with a population of 140 cores. No other country in the world has such diversity in terms of population and language. It is reflected in Indian cinema too. Speaking of Hindi films, I confess they are mainly escapist entertainers. Box office success is the prime focus in Hindi films for all ages.

Bold and offbeat films like Duniya Na ManePadosi and Dr Kotnis Ke Amar Kahani were creations of Dr V Shantaram, the first filmmaker in Hindi with a vision. An excellent storyteller and technician, he understood the spirit of nationalism well. So did Mehboob Khan whose Roti and Mother India are masterpieces.

I was inspired by Dilip Kumar’s Shaheed to become an actor. It was a patriotic film with true messages of the independence struggle in the late 40s. Hemen Gupta showed how well he could handle the Bankim Chandra Chattopadhyay classic, Anandamath’s celluloid adoption. Hemant Kumar’s tuning of Vande Mataram rendered immortally by Lata Mangeshkar according to me is a great nationalist song for Indian cinema.

Paul Zila’s, Zalzala based on Tagore’s Four Chapters was also a commendable film with the backdrop of our independence struggle. KA Abbas adapted Mulk Raj Anand’s, Two Leaves and A Bud as an excellent film version with Rahi in 1952.

In my biopic of Bhagat Singh, Shaheed, I put my best efforts into research at the Hindu library and visiting many corners of Punjab. This revolutionary spirit kindled in me an urge to narrate reality.

It is no new news that Bhagat Singh’s mother was ailing at a Chandigarh hospital and denied medicines. Hearing this I visited her. Seeing me she smiled and said she saw her son alive in me. I was rendered speechless. At the National Awards Function in 1965, Baghat Singh’s mother appeared on stage, I&B Minister late Indira Gandhi touched her feet. I donated the entire proceedings of the award earned from Shaheed for her family’s welfare. Though I did not take credit, the entire script writing of Shaheed was supervised by me and I ghost-directed about 90% of the film.

In Purab Aur Paschim in 1970, I filmed the independence struggle episodes in black and white to give them realistic touches. Through Kishan Dhawan, symbolized the true nationalist of Punjab, Pran was the betrayer, gaddar who prevails in our society even today. He later resurrects. The initial title was Hare Rama, which I changed to Purab Aur Paschim after Dev Anand called me and requested to give him the title for his forthcoming directorial venture. 

Amrita Pritam the renowned poet approached me in the mid-70s with the offer of penning a documentary on the late Indira Gandhi supporting the emergency. I strongly denied though I was a staunch Congress supporter.   

I was astonished and hurt, Richard Attenborough’s Gandhi had no mention of Subhash Bose. Paresh Rawal as Sardar Vallav Bhai Patel breathed life into Ketan Mehta’s Iron Man. Shyam Benegal’s biopic of Netaji was a damp squib.

I congratulated Aamir Khan for Lagaan, a very different film showing independence struggle of our nation using cricket. However, his Mangal Pandey was just average.

75 years have passed since we achieved independence. The Indian film fraternity is yet to receive the recognition of an industry. On this auspicious day, I sincerely pray that we receive industrial recognition. Then the lives of so many extra artists, technicians and production people get secure. 

(As told to Ranjan Das Gupta)