Dubai: Literature enthusiasts from India and Dubai gathered at the India Club for a memorable evening with celebrated author and journalist Rasheed Kidwai. The engaging session was part of...
Dr. Rishu Sinha’s letter to GB Pant Hospital exposes the brutal 36-hour duties and mental exhaustion faced by her husband, Dr. Amit Kumar, a DM Cardiology resident. She alleges violation of 1992 Residency Rules, ignored RTI replies, and a toxic training culture pushing young doctors toward burnout and despair.
Strikes are not mere disruptions—they’re powerful democratic tools used when all else fails. From Kolkata’s bandh culture to nationwide protests, they reflect collective resistance against injustice. While they halt daily life, they reignite critical conversations, reminding us that democracy isn’t just about order—it’s about being heard when silence no longer works.
The Indo-Pak war after the Pahalgam attack became a global arms expo and political theatre. China showcased weapons, Pakistan secured a bailout, Turkey advertised drones, and India fused military action with nationalism. Trump sought a ceasefire for clout. As profits and power shifted hands, civilians bore the brunt—again.
Amid the Pahalgam terror attack, India witnessed unity from citizens while media and political actors pushed hate. Voices like Himanshi Narwal, Sangeeta Negi, and Rakesh Tikait showed courage and clarity. As the caste census unsettles the status quo, real patriotism lies in justice, not jingoism or communal provocation.
The Pahalgam massacre was a brutal reminder of Pakistan-backed terror aimed at destabilizing India. Beyond condemnation, the response must be strategic and united. Divisive politics only serve the enemy’s agenda. Restoring peace in Kashmir and rejecting communal narratives are key to defeating those who thrive on chaos and hatred.
The release of Phule, a film on Jyotiba and Savitri Mai Phule, has been delayed due to objections from the Censor Board and protests by Brahmin groups. Despite celebrating the couple’s revolutionary legacy, the film faces resistance for critiquing Brahmanism, highlighting ongoing struggles over caste, history, and narrative control in India.
Ram Navami processions in Bengal, once unfamiliar to the region, have become politicised spectacles of dominance. The use of Israeli flags and communal slogans, especially in Barrackpore, signals a deeper agenda—where festivals are repurposed for polarisation, and silence on global injustices becomes a loud alignment with power and provocation.