CinemaScope

The Taj Story: Why Myth-Led Cinema Is Harming Public Understanding of History

When a film chooses to revisit a contested piece of history, it steps into a fragile intellectual space where creativity collides with responsibility. The Taj Story, a recent courtroom...

Dharmendra Remembered: How Bollywood’s Most Human Superstar Became India’s Favourite Hero

Film star Dharmendra lived a full and complete life. He was unapologetically himself—a man with a golden heart...

Neeraj Ghaywan’s Homebound: A Stark, Unfiltered Look at Muslim Marginalisation and Caste Reality

Although I have always been a film buff, I hadn’t gone to a theatre in a long time....

The Untamed Soul of Indian Cinema: How Ritwik Ghatak’s Art Still Speaks to Our Times

The World Cinema Project has restored, among other films, Titas Ekti Nodir Naam by Ritwik Ghatak. Martin Scorsese,...

How India’s Symbol of Love Is Being Twisted into a Tool of Hate

The Taj Mahal, regarded as one of the Seven Wonders of the World, is one of the major...
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Censor Board’s Double Standards on Phule: Protecting Propaganda, Silencing Revolution

The release of Phule, a film on Jyotiba and Savitri Mai Phule, has been delayed due to objections from the Censor Board and protests by Brahmin groups. Despite celebrating the couple’s revolutionary legacy, the film faces resistance for critiquing Brahmanism, highlighting ongoing struggles over caste, history, and narrative control in India.

Justice Hema Report Triggers Mohanlal and AMMA Resignations: Is This the Dawn of a New Era in Malayalam Cinema?

Delhi: While one part of India is worried about the increase in rape cases and hitting the streets in protest, the other, Kerala’s film...

Election Season Special: New Film Pushes Divisive Agenda Through Historical Distortion

Films are a very powerful medium which creates a social understanding in various ways. Till decades ago we had films which reflected social realities and...

Research, Respect, Reality: The Missing Ingredients in Today’s Indian War Films

A recent viewing of the film Fighter made many connoisseurs wonder whether Bollywood will ever stop flirting with a serious subject like war. The...

Mithun Chakraborty as Kabuliwala: A Misfit in the Tapestry of Tagore’s Timeless Tale

Sandip Ray, eminent journalist Roshmila Bhattacharya, and I were discussing Bengali cinema at the Ray residence. I informed them that I was unhappy with...

The Common Man on Screen: How Raj Kapoor Championed the Indian Proletariat

Raj Kapoor disagreed with how director Basu Bhattacharya wanted him to react to Waheeda Rehman's lip-synching, Aa Aa Bhi Ja in Teesri Kasam. He asked cinematographer...
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