Raj Kapoor to Dev Anand: “Dev Tumne Mere Heroine (Nargis) Ko Chura Liya”

Read the story of India's first film delegation at Venice International Film Festival. Senior journalist Ranjan Das Gupta writes: A scene no one could forget that of Bimal Ray speaking about the impact of neo-realism on his work. Intelligently explaining the plight of the landless Indian peasant he went on to give a thought-provoking lecture about his concept and visualization of Do Bigha Zamin

Date:

Share post:

In 1953 the first Indian film delegation attended the coveted Venice International Film Festival. Led by Bimal Ray the delegation included Balraj Sahni, Salil Chowdhury, KA Abbas, Chetan Anand, Dev Anand, Raj Kapoor and Nargis. The films that were screened at Venice included Do Bigha Zamin, Aandhiyan, Rahi and Awara. The delegation had received a warm welcome at Venice.

Bimal Ray an introvert spoke only when required. Even the eloquent Chetan Anand and Salil Chowdhury avoided interacting with the media. KA Abbas, Balraj Sahni, Dev Anand and Raj Kapoor did maximum of the interacting and speaking. On special occasions, Nargis also enlightened the August gathering about highlights of Awara and Indian Cinema.

The screening of Do Bigha Zamin received a standing ovation from critics and viewers. The esquire European cine lovers marvelled at Balraj Sahni’s studied and flawless performance. Dev Anand was the heartthrob of the females for his debonair looks, sincere, honest performances in Aandhiyan and Rahi. KA Abbas managed with real difficulty shows of both English and Hindi versions of Rahi. The English version was the Way Farer. Raj Kapoor and Nargis were mobbed by fans, especially from Italy and France.

David Lean who was a delegate renewed his association with Chetan Anand which started with Brief encounters and Neechanagar jointly winning the Grand Prix at Cannes in 1946. David Lean was full of praise for Nimmi’s questioning expressions in Aandhiyan and Kalpana Kantik’s underplaying. In a discussion with an English critic KA Abbas pointed out the drawbacks of Indian cinema. He confessed since our Hindi films were mainly entertainers the box office factor always ruled the roost. Salil Chowdhury did say the song Dharti Kahe Pukar Ke of Do Bigha Zamin he composed was inspired by the Soviet Cultural Revolution of 1917.

An interesting incident took place when Raj Kapoor, Dev Anand and Nargis were taking lunch at a local restaurant An Italian beauty in her 30s walked up to them and said Dev Anand and Nargis formed an attractive pair. To this Raj Kapoor burst into laughter and said “Wah Dev Wah, Tumne Mere Heroine Ko Chura Liya.” Dev Anand Smiled and replied, “Nahi Raju Yeh Mujh Se Nahi Hoga.” Nargis asked the two heroes to be quiet and the three posed for a series of photographs not only for the Italian dame but others too.

Chetan Anand had a difference of opinion with his younger brother Dev Anand. Chetan Anand wanted to eat edit the court scene of Aandhiyan for the international version to be screened in Venice. Dev Anand vehemently protested the act as he genuinely felt his best performance was during the climax at the court. An initially reluctant Chetan Anand later agreed and cut short some of the song, dance sequences. The international media praised Aandhiyan highly and washed out the stigma on Chetan Anand, ”A Pudovkin in hurry” put by the review of Aandhiyan in Baburao Patel’s Film India.

A scene no one could forget that of Bimal Ray speaking about the impact of neo-realism on his work. Intelligently explaining the plight of the landless Indian peasant he went on to give a thought-provoking lecture about his concept and visualization of Do Bigha Zamin. It received encomiums and Raj Kapoor’s explanation of the cinematic nuances of Awara’s dream sequence also received appreciation. KA Abbas pointed out that the socio-political relevance of Mulk Raj Anand’s, Two Leaves And A Bud on which Rahi was based was his source of inspiration for the memorable film.

The Prize Moment of the Indian delegation at Venice was their visit to Sir Charles Chaplin’s Villa at Montreux and an hour’s interaction with the maestro. Sir Charles Chaplin was the father of Sir Charlie Chaplin. The Indian film personalities listened with awe as the Grand Master narrated his experiences of filmmaking. Chetan Anand and K Abbas asked Charles Chaplin about his views on Sergei Eisensfitein. Charles Chaplin replied, “A true friend and a genius.” As they bid goodbye, Raj Kapoor, with tears of joy in his eyes shouted to confess Charles Chaplin was his idol and he modelled himself along his lines.

This year’s Venice International Film Festival will be held in September.

Related articles

Dear Gen Z: To Build a Better India, Protest Against Hate

Beyond the NEET protest, Gen Z challenged India's politics of hate by keeping the focus on accountability and constitutional values. The movement also exposed difficult questions about equal citizenship and Muslim participation in democratic protests

From UCC to ‘Hindu Rights’: How the Madhya Pradesh Debate Took a Majoritarian Turn

Madhya Pradesh became the fourth BJP-ruled state to pass a Uniform Civil Code, but the Assembly debate quickly shifted from women's rights to Hindu rights, with slogans, identity politics and ideological messaging overshadowing discussions on legal reform.

Years After IIT Kharagpur Student Faizan Ahmed’s Homicide, Mother Meets Bengal Chief Minister

Weeks after eNewsroom highlighted Rehana Ahmed's desperate wait for an appointment, the mother of slain IIT Kharagpur student Faizan Ahmed is finally set to meet West Bengal Chief Minister Suvendu Adhikari. She hopes the meeting will help revive the long-stalled homicide investigation ordered by the Calcutta High Court

“You Asked the Wrong Questions”: Why Activists Say ‘Godi Media’ Became Part of the Story at Kolkata Protest

As journalists alleged attacks during the Kolkata protest, activists told eNewsroom that the deeper issue was how sections of the mainstream or 'Godi Media' ignored students' demands, choosing provocative narratives over questions about repeated exam controversies and police action.